Tag Archives: Marvel Comics

Off the Spinner Rack: March 1982

This month I’m taking another trip back to my prime comic collecting years thanks to The Newsstand Time Machine at Mike’s Amazing World of Comics.  I’m hoping to make this a monthly trip on Fante’s Inferno because it allows me to look back on some of the issues and storylines that I enjoyed way back when and to give me a new “want list” of missed issues to pick up at this year’s local comic cons.

Daredevil #184

Daredevil 184
“Good Guys Wear Red”
Written and penciled by Frank Miller, inked and colored by Klaus Janson

Dazzler #17

Dazzler 17
“The Angel and the Octopus”
Written by Danny Fingeroth, penciled by Frank Springer, inked by Vince Colletta

Fantastic Four #243

Fantastic Four 243
“Shall Earth Endure?”
Written and drawn by John Byrne

G.I. Joe #1

GI Joe 1
“Operation:Lady Doomsday”
Written by Larry Hama, penciled by Herbe Trimpe, inked by Bob McLeod
“…Hot Potato”
Written by Larry Hama, penciled by Don Perlin, inked by Jack Abel

Iron Man #159

Iron Man 159
“When Strikes Diablo”
Written by Roger McKenzie, penciled by Paul Smith, inked by Terry Austin

Marvel Super Hero Contest of Champions #1

Contest of Champions 1
“A Gathering of Heroes”
Written by Bill Mantlo, penciled by John Romita Jr., inked by Pablo Marcos

Power Man & Iron Fist #82

Power Man and Iron Fist 82
“Secret of the Black Tiger”
Written by Mary Jo Duffy, penciled by Denys Cowan, inked by Carl Potts

Star Wars #60

Star Wars 60
“Shira’s Story”
Written by David Michelinie, penciled by Walt Simonson, inked by Tom Palmer

The Uncanny X-Men #158

Uncanny X-Men 158
“The Life That Late I Led…”
Written by Chris Claremont, penciled by Dave Cockrum, inked by Bob Wiacek

What If? #33

What If 33
“What If the Dazzler Had Become the Herald of Galactus”
Written by Danny Fingeroth, penciled by Mike Vosburg, inked by Jon D’Agostino
“What If Iron Man Had Been Trapped in King Arthur’s Time”
Written by Steven Grant, penciled by Don Perlin, inked by Bob Layton

Ten comic books bought in March 1982 for a whopping $7.30 ($17.94 today adjusted for inflation).  I can’t remember a single month in which we bought ten new issues, and I couldn’t imagine buying that many current books today considering how cost prohibitive it would be.  Many of those titles were consistent purchases for us, namely Uncanny X-Men, Star Wars, Fantastic Four (the cover for FF #243 is still one of my favorites), Daredevil and Iron Man (IM #159 was my introduction to the art of the amazing Paul Smith).  Dazzler was most likely purchased because the X-Men’s Angel was on the cover, and there’s no doubt we picked up What If? #33 for the Iron Man trapped in King Arthur’s time story (the storyline originally told in issues #149 and #150 was simply amazing).  G.I. Joe was a chance for me to own a #1 (my first speculative purchase) though I did continue to buy that title for the next year.  Power Man and Iron Fist was new on our monthly buy list, and the back issues of Mary Jo Duffy’s run on that title are now on my “must buy” list at the next comic con I attend.  Contest of Champions #1 was also a favorite of mine that month, though our local comic shop didn’t have the subsequent two issues.  After 34 years I finally have a chance to read them now that I bought the hardcover collection.

Missed Opportunities:

Moon Knight #20 & #21

Moon Knight 20 Moon Knight 21

Doctor Strange #53

Doctor Strange 53

To miss an issue of Moon Knight back then was a rarity for us, but to miss two in one month?  That’s unbelievable.  The covers alone would have been enough for me to plunk down $1.20 for Moon Knight #20 and #21.  It wasn’t until many years after their initial publication that I discovered Marshall Rogers and Terry Austin’s run on Doctor Strange with Roger Stern, and issue #53 is still missing from my collection.  Three more issues I’ll have to pick up at my next convention!

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Off the Spinner Rack: February 1981

This week I made a return trip to The Newsstand at Mike’s Amazing World of Comics to revisit the comics I bought (and missed out on) in February 1981.  Comic book collecting was a big part of my life up to my late teens, and while I can’t remember a time in which my brother and I weren’t buying comic books, it really does amaze me as to how many books we missed out on back then.  So here’s a look back at our purchases 35 years ago this month:

Jonah Hex #48

Jonah Hex 48

“The Vulture Creek Massacre” – written by Michael Fleisher, penciled by Dick Ayers, inked by Tony DeZuniga
“Devil’s Power” – Written by Ted Skimmer, penciled by Ross Andru, inked by Tony DeZuniga

Moon Knight #7

Moon Knight 7

“The Moon Kings” – written by Doug Moench, penciled by Bill Sienkiewicz, inked by Klaus Janson

Rom #18

Rom 18

“And a Child Shall Deceive Them” – written by Bill Mantlo, penciled by Sal Buscema, inked by Al Milgrom

Star Wars #47

Star Wars 47

“Droid World” – Written by Archie Goodwin, penciled by Carmine Infantino, inked by Gene Day

Uncanny X-Men #145

Uncanny X-Men 145

“Kidnapped” – Written by Chris Claremont, penciled by Dave Cockrum, inked by Josef Rubinstein

Five comic books purchased that month (cover dated May 1981) for a total of $2.50 ($6.52 today adjusted for inflation).  Jonah Hex #48 is one of only two issues of that title in our collection (the first was #45), and that purchase was most likely based on Tony DeZuniga’s amazing cover.  I’m not sure why we didn’t stick with the title, but it’s now on my list to hunt for at the next comic con I attend.  Moench and Sinkiewicz’s run on Moon Knight was by far one of my favorites of that era, and by the time the powerful cover for Moon Knight #7 hit the spinner rack that month, we were already hooked on the title.  We had purchased Rom sporadically over the first ten issues of the run, but seeing Rom and the X-Men on the cover of issue #18 drawn by two of my favorite artists (if only Frank Miller and Terry Austin had collaborated more!) made this a must have.  By February 1981 I was probably a bigger fan of the Star Wars comics than the films (that changed once we got cable TV and Star Wars: A New Hope played about 50 times a month), and those books were my introduction to the art of the great Carmine Infantino.  But the Uncanny X-Men was by far my favorite title throughout the 80’s, in part due to Dave Cockrum’s second run on the book which began with issue #145.  While I loved the stories from Claremont, Byrne and Austin’s run, it was Claremont and Cockrum’s stories that got me emotionally invested in the characters.

Missed Comics:

Daredevil #170

Daredevil 170

“The Kingpin Must Die!” – Written and penciled by Frank Miller, inked by Klaus Janson

Iron Man #146

Iron Man 146

“Blacklash – And the Burning” – Written by David Michelinie, penciled by John Romita Jr., inked by Bob Layton

Two more rare misses for titles that were consistent purchases for us back then, though I did recently pick up a copy of Daredevil #170 at a comic con recently.  Iron Man #146 was one of only two issues we missed during the Michelinie/Romita Jr./Layton run.

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Off the Spinner Rack: April 1981

This week I decided to take another trip down comic book memory lane via the Newsstand Time Machine at Mike’s Amazing World of Comics and look up which comics we had bought (and missed out on) during a particular month of our prime collecting years of the late 70’s to mid 80’s.  Rather than using my usual 30 year benchmark I picked a year at random and decided on a look back at the comics that went on sale in April 1981.  I narrowed it down to the following purchases:

Moon Knight #9
Written by Doug Moench, art by Bill Sienkiewicz

Moon Knight #9

The Uncanny X-Men #147
Written by Chris Claremont, art by Dave Cockrum and Josef Rubinstein

Uncanny X-Men #147

What If #27
Written by Mary Jo Duffy, art by Jerry Bingham and John Stuart

What If #27

Iron Man #148
Written by David Michelinie, art by John Romita Jr. and Bob Layton

Iron Man #148

Star Wars #49
Written by Mike W. Barr, art by Walter Simonson and Tom Palmer

Star Wars #49

Not surprisingly, our purchases (totalling $2.75) were entirely Marvel.  But I am surprised at how few comics we bought off the spinner rack that month.  I wasn’t reading Amazing Spider-Man or Captain America at that point, though those titles and Peter Parker the Spectacular Spider-Man would soon be consistent purchases.  Of the issues listed above, What If? #27 was and still is a particular favorite (see my earlier post revisiting this issue).  Each of these issues were part of memorable runs that I still reach into the old box o’ comics to read time and again, particularly Claremont/Cockrum/Rubinstein’s run on Uncanny X-Men.  I’ll still take these stories over most of the comics published today.

Missed Comics:

Fantastic Four #232
Story and art by John Byrne

Fantastic Four #232

Daredevil #173
Written by Frank Miller, art by Frank Miller and Klaus Janson

Daredevil 173

These two missed issues were a surprise to me.  Byrne’s run on FF and Miller/Janson’s on Daredevil are still favorites of mine from that era, and I’m still not sure why we hadn’t picked up these two issues off the spinner rack back in April 1981 or as back issues over the last 30 odd years (I finally read FF #232 in its original form in IDW’s John Byrne Artist Edition).  They’re now high on my list of books to seek out and buy at the New York based conventions this year, along with several other titles available that month such as Amazing Spider-Man, Captain America, New Teen Titans, Jonah Hex and Warlord.

When I cut back significantly on buying comics over the last year, I wondered if that was pretty much the end of collecting for me.  But discovering what I missed out on over the years has lit the fire in me to keep collecting (even if they are primarily back issues), complete runs started way back when, and start a few more along the way.

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The Captain America Project #19: Bob McLeod

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#19: Bob McLeod (The New Mutants, The Amazing Spider-Man, The Spectacular Spider-Man, Action Comics)

The Captain America Project is winding down, and the 19th spot on this jam page was filled during the 2014 New York Comic Con by one of my favorite artists, Bob McLeod.

Captain America - Bob McLeod

I’ve been a fan of his work since Marvel Graphic Novel #4 (The New Mutants) and in addition to his pencils and inks on Marvel and DC titles like The Amazing Spider-Man and Action Comics, his art in The Uncanny X-Men #152 (and that issue’s fantastic cover) still stands out as a favorite of mine in the middle of Dave Cockrum’s second run on the title back in 1981.

So there’s one spot left on the page, and I have one particular artist in mind for the 20th spot.  It’s been over four years since I started The Captain America Project, and I’m looking forward to finally completing it this year.  I’m going to attend three New York based comic conventions in the next several months, so hopefully I’ll have the final spot filled by then and I can finally have this amazing page framed and on my wall.

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Off the Spinner Rack: January 1985

Lately I’ve been looking back on the comic book runs that hooked me during the 1980s.  Back then my brother and I would visit our local comic shop every Saturday and plunk down a few bucks for the latest issues of The Uncanny X-Men, The Fantastic Four and Thor among other (mainly) Marvel titles (by the mid-80’s there would also be a few independent titles in the mix).  I recently opened up the old box o’comics and wondered how many comics I would have bought on a month to month basis during my prime years of collecting.

I recently discovered the fantastic Newsstand Time Machine at Mike’s Amazing World of Comics, a comic book database that allows visitors to search for the titles that were on sale during a particular month and year.  I figured I would use my usual 30 year benchmark to look back, and I was able to track down our exact comic book purchases for January 1985:

Alien Legion 6 Cover
Alien Legion
#6

Alpha Flight 21 Cover Alpha Flight 22 Cover
Alpha Flight #21 and #22

Doctor Strange 70 Cover
Doctor Strange #70


Fantastic Four #277

Groo The Wanderer 2 CoverGroo The Wanderer 3 Cover
Groo the Wanderer #2 and #3

New Mutants 27
The New Mutants #27

Thor 354 Cover
Thor #354

Uncanny X-Men 192 Cover
Uncanny X-Men #192

Void Indigo 2 Cover
Void Indigo #2

Looking back on this list, the titles we bought that month aren’t surprising.  At that point in our comic collecting we were primarily Marvel readers, with only sporadic purchases of DC titles.  Alpha Flight, Doctor Strange, Fantastic Four, Thor and The Uncanny X-Men were consistent favorites of ours for several years and would make up the bulk of our comic book collection.  Bill Sienkiewicz’s art got me hooked for a second time on The New Mutants, and Groo the Wanderer by Mark Evanier and Sergio Aragones would become a new favorite over the next twenty or so issues in 1985-1986.

Missed comics:

Cerebus 70 Cover
Cerebus
#70

Crisis On Infinite Earths 1
Crisis on Infinite Earths #1

Jon Sable Cover 24
Jon Sable Freelance #24

Dave Sim’s Cerebus and Mike Grell’s Jon Sable Freelance were also consistent purchases for us, but that month’s issues sold out at our local comic shop before we could buy them.  Crisis on Infinite Earths #1 was a flat out miss on our part and that’s one I regret not picking up back then.

January 1985’s purchases added up to a whopping $9.05 for ten comic books ($19.86 today adjusted for inflation).  The same number of comic books today would run me about $44.  In my opinion we got better art and more story/character development per issue for a fraction of the price back then, and it’s no coincidence that my comic book purchases over the last year or so have been mainly back issues.  Sure they cost a few bucks more nowadays, but I enjoy the feeling of nostalgia I get when I find a back issue from the 80’s that I missed the first time on the spinner rack.  In a way I’m glad we missed a few issues back then.

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The Captain America Project #18: Lee Weeks

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#18: Lee Weeks (Daredevil, Gambit, Daredevil: Dark Nights)

One of my goals at the 2014 New York Comic Con was to wrap up the Captain America project.  With three spots left on the page, I had made my list of final “must have” artists to complete it.  My first stop at NYCC that Sunday morning was Lee Weeks’ table.

I’ve been a fan of Lee’s work for years and really enjoyed his three issue run on Daredevil: Dark Nights (#1-3).  He did a great job on this Cap sketch, and it’s a fantastic addition to the page.

Captain America - Lee Weeks

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NYCC 2014: From Albuquerque to Artist Alley in Record Time

NYCC 2014 2

Since the first show in 2006, the New York Comic Con is the comic book related event that I look forward to the most each year.   I still can’t believe that only eight years ago it started as a one room event that took up a fraction of the Jacob Javits Center.  And while I tend to complain about the crowds in the exhibit hall each year, I am very happy that the show has grown in popularity into one of the premiere comic book conventions with an attendance (over 151,000 attendees) that has now surpassed the San Diego Comic Con.

I’ll admit I don’t take as full advantage of the show as most of the attendees do.  I don’t cosplay (though I am tempted to break out the stormtrooper armor each year), and I avoid the larger panels for the less crowded sessions, but that’s because I choose to maximize my time in Artist Alley to meet the creators that have written and drawn my favorite stories of the last four decades.  This year was no different but that was because I had less time at NYCC than previous years.  My faithful sidekick and I had set up a two week vacation in Arizona and New Mexico that overlapped the first three days of NYCC and I didn’t think I would be able to attend this year.  But when I found out we were flying the red eye from Albuquerque to JFK I knew that I could make the last day of the show.

While I may have missed New York Super Week and the first three days of NYCC, I made up for it by buying some comic related merchandise during our stop in Albuquerque.  First stop was the amazing Astro-Zombies comic shop where I got a great deal on copies of X-Men #90 and Fantastic Four #92.  I also found Days of Future Past HeroClix that sold out at my New York comic and game shops (Storm, Blob, Pyro and a Sentinel!).  If you’re ever in Albuquerque, I highly recommend a visit to Astro-Zombies.  They have a great selection of new and back issues and a friendly staff.  I also picked up a few Marvel Comics themed wall decorations at a local art store on sale.  Buying these items that I would have picked up at NYCC softened the blow of not attending the first three days (and probably saved me a few bucks!).  Heck, even the Albuquerque Hot Air Balloon Fiesta had a con feel with a huge crowd and members of the local chapter of the 501st Legion in attendance as the Darth Vader and Yoda hot air balloons ascended!

The 501st Legion at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante's Inferno)

The 501st Legion at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante’s Inferno)

ABQ 2

Stormtroopers prepare the crowd for Yoda at the 2014 Albuquerque Hot Air Balloon Fiesta

Yoda prepares for liftoff at the 2014 Albuquerque Hot Air Balloon Fiesta

Yoda prepares for liftoff at the 2014 Albuquerque Hot Air Balloon Fiesta

ABQ 3

Darth Vader gets ready for the mass ascension at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante’s Inferno)

But no sooner than I had gotten home from JFK Sunday morning, I was pulling together every book I wanted autographed, my sketch book for commissions, and of course The Captain America Project to (hopefully) complete.  I arrived at the Javits Center around 9:15 that morning, and I was surprised to not see a crowd gathered in front.  But reality soon set in when I realized the thousands of attendees were lined up in the lower level of the convention center prior to the 10:00 start time.  Overall it was a good system, and even though I was towards the back of the line I made it into Artist Alley by about 10:15.  Thankfully most of the attendees were heading to the exhibit hall and Artist Alley was practically empty when I walked in.

My top priority at NYCC was completing the Captain America Project: a jam page of 20 drawings of Captain America by 20 different artists.  After four years, 17 of the 20 spots on my Captain America jam page had been filled by artists like Jim Lee, David Finch, Herb Trimpe and even Golden Age artist Allen Bellman.  I had put a lot of thought into which artists I wanted to finish the page, and even though there were more artists to choose from than spots available on the page, I decided they would be filled by three of my favorite artists of the last 30 years.  My first two stops were Lee Weeks’ and Bob McLeod’s tables.

Weeks’ art has been a favorite of mine over the last ten years, most recently his work on Daredevil: Dark Nights #1-3, and I’ve been a huge fan of Bob McLeod’s work since the early 80’s, particularly his run on The New Mutants.  So as long time fans of their work, they were “must haves” on The Captain America Project.  I had originally planned on posting scans of their Cap sketches in this post, but then I realized they would be major spoilers of their individual posts for The Captain America Project, so I decided to hold off.  But in the meantime, here are a couple of pictures of them sketching on the page:

NYCC 2014 4

Bob McLeod adds a Captain America sketch to the Captain America Project

NYCC 2014 3

Artist Lee Weeks adds a Captain America sketch to the Captain America Project.

Unfortunately, the third artist that I was hoping would cap off the page (pun intended) wasn’t able to attend Sunday, so I’ll keep that one a surprise until I’m able to get that sketch at a future show.

After collecting autographs from artists Rob Liefeld, Allen Bellman, Howard Chaykin and former Marvel writer/artist/editor Al Milgrom for my copy of Marvel: Five Fabulous Decades of the World’s Greatest Comics, my last stop of the afternoon was The Artists’ Choice table for a sketch from artist Jerry Ordway (Superman).  Going into the show, one of the items on my wish list was a full sized sketch of Superman from Ordway, and he didn’t disappoint with this gem:

IMG_3072

Superman by Jerry Ordway

IMG_3071

Artist Jerry Ordway and his Superman sketch.

I had every intention of staying until the end of the show to hit the exhibit hall and get a few more sketches, but by 3:00 I realized that I hadn’t slept in over 30 hours (maybe that’s a con endurance record?) and it was time to head home before I passed out and the attendees swiped my sketches.  But this year’s NYCC was definitely worth the red eye flight and sleep deprivation.  Looking forward to next year!

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What If Phoenix Had Not Died? (1981)

What If 27 Cover

The early 80’s were my prime years of comic book collecting, and Marvel’s What If? was one of my favorite titles.  Each issue introduced by The Watcher would present an alternate history of Marvel characters based on one twist of fate in a previously established storyline.  There were some fantastic issues of What If? from 1981-1982, particularly What If Daredevil Became an Agent of S.H.I.E.L.D.? (#28, August 1981), What If Wolverine Had Killed the Hulk? (#31, February 1982), What If Elektra Had Lived? (#35, October 1982), and What If The Fantastic Four Had Not Gained Their Powers? (#36, December 1982).  I recently reached into the old box o’ comics and found one that stood out as one of my favorite issues of What If’s early 80’s run, and a story that truly stood out for me that entire decade: What If Phoenix Had Not Died? (#27, July 1981) written by Mary Jo Duffy with art by penciller Jerry Bingham and inker John Stuart.

We bought our copy of What If? #27 new off of the spinner rack at our comic shop back in 1981.  Frank Miller’s dynamic cover stood out among most other comics released that month, with his bold line work and the intense colors capturing Phoenix’s power while flanked by the helpless X-Men.

One of the reasons this story resonated with me was  because less than a year earlier Jean Grey/Phoenix was killed off in Chris Claremont, John Byrne and Terry Austin’s classic X-Men #137 (Vol. 1, Sept. 1980).  As I read that issue for the first time back in 1980, I held up hope that the X-Men would prevail in their battle with the Imperial Guard.  But as their epic battle ended with each member of the X-Men taken down in defeat, Jean’s death was even more shocking.  At that young of an age, I couldn’t understand how the folks at Marvel could have ended the story with the X-Men losing and a main character actually dying.  The only other comic book story to have that big of an impact on me was the death of Elektra in Daredevil #181 (April 1982), but unfortunately as I got older I became more jaded and skeptical with every Marvel character’s death and subsequent return.  That story in X-Men #137 got me more emotionally involved as a reader and fan of the X-Men, as Cyclops and the rest of the team came to terms with Jean’s death and dealt with their own issues as the decade went on.  To this day, I consider the Death of Phoenix one of my favorite comic book stories of all time and one of the greatest in Marvel’s history.  So when What If Phoenix Had Not Died? was published the following year in 1981, it was one of the stories I had to read.  X-Men was my favorite title and I was eager to find out what would have happened to them in this alternate history.

What If 27 Page 1

What If Phoenix Had Not Died? begins with The Watcher providing a recap of Jean Grey’s history in the original X-Men storyline (her transition from Marvel Girl to Phoenix, mind control under Mastermind and her time as the Black Queen of the Hellfire Club, the destruction of the star D’Bari leading to the deaths of 5 billion humanoids, and the X-Men’s fight with Lilandra’s Imperial Guard leading to her death).  Six pages in, the story takes an alternate turn when toward the end of their battle with the Imperial Guard Jean saves Cyclops from a blast and alters her destiny.  Jean and the defeated X-Men are taken to the Shi’Ar imperial flagship, and their psychic lobotomizer removes her telepathic powers.

What If 27 Page 6

What If 27 Page 7

Upon their return to Professor Xavier’s School, a now powerless Jean tries to adapt to her diminished role within the X-Men.  A distress call from Lilandra leads them to a showdown with Galactus and his herald Terrax.  The X-Men, led by Cyclops are on the verge of defeat against Terrax when the Phoenix force re-manifests itself in Jean and a blast of her power relegates Terrax to a powerless human form.  Galactus backs off and the old Phoenix is back.  But eventually the temptations of the Phoenix force get the best of Jean, and the story takes a darker turn.

What If 27 Page 28

No spoilers here.  Writer Mary Jo Duffy (Power Man and Iron Fist, Star Wars, Wolverine) and artist Jerry Bingham (Iron Man, Marvel Two In One) pack a lot of drama and action into What If Phoenix Had Not Died?: Jean’s emotional roller coaster as a result of her transition from mutant to human, the temptations of the Phoenix force when her powers return, and the ensuing consequences of the darkness that consumes her.  At a whopping 34 pages, this qualifies as an event and it doesn’t disappoint.  Even as a “done in one” single issue story, the shocking fate of the X-Men is darker than most other stories of that era and stays with the reader long after the last panel.

Nowadays our copy of What If? #27 has a worn cover and the middle pages are separating from the spine, which is a testament to how much we enjoyed this story.  Ten or twenty years ago I would have kicked myself for not bagging and boarding it, but the current condition brings out the nostalgia even more.  Turning through the pages the other night reminded me of quite a few lazy days at age 8 sitting on the living room floor reading and re-reading this issue, and brought back the same excitement and emotion as it did the first time I read it in 1981.

What If? #27 will be available in What If? Classic: The Complete Collection Volume 3 on Amazon and Comixology on 2/11/20.  As an Amazon Associate I earn from qualifying purchases.  Thank you for your support!

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Thoughts on Marvel Studios’ 2017-2019 Releases

With Marvel Studios’ July 18th announcement of their 2017-2019 movie release dates, speculation has begun over which Marvel characters will have their movie projects greenlit as Phase 2 moves into Phase 3.  The last two years I hoped that characters like Doctor Strange, Daredevil and Luke Cage would get their shot on the big screen, and with Netflix’s upcoming production of five Marvel original series (Daredevil, Luke Cage, Iron Fist, Jessica Jones, The Defenders) and the Doctor Strange Easter Egg in Captain America: The Winter Soldier, slowly but surely my favorite characters will get their TV or cinematic due.

So with over 5,000 characters in the Marvel Universe, will Marvel Studios fill the majority of their TBD slots with the more popular characters, or go the Guardians of the Galaxy route with the lesser known heroes/super teams?  Here’s my latest wish list for the 2017-2019 Marvel Studios slate:

Alien Legion

Alien Legion Cover

When Marvel’s creator owned line Epic Comics published Alien Legion #1 in 1984 (written by Carl Potts and Alan Zelenetz with art by Frank Cirocco and Terry Austin), this diverse group of “footsloggers and soldiers of fortune,” a Foreign Legion set in space, got me hooked.  I was fortunate to find a page of original art from Alien Legion #4, and it’s a prized piece in my art collection.  Hopefully this title will get the movie treatment.

Micronauts

Micronauts 3 Cover

Another title I enjoyed during it’s early run and that I’ve come to appreciate even more 30 plus years later.  Based on a line of toys from the 70’s, Marvel Comics published the first volume of comics until the mid-80’s.  I recently re-read the first five issues written by Bill Mantlo and drawn by Michael Golden and couldn’t stop thinking about how well it would translate on film.  J.J. Abrams is attached to a feature film adaptation with Paramount, but the screenwriters have said the film version would be different from the comic book.  (sigh)

Howard the Duck

Howard The Duck Cover

Hear me out on this one.  Even though those of us over a certain age still cringe at the memory of the terrible  Howard the Duck film produced by George Lucas in 1986, Howard still deserves a reboot based on a great comic book run.  News on Howard the Duck’s cameo in Guardians of the Galaxy is a great first step in that direction (is Marvel Studios testing the waters with audience response a la the Doctor Strange reference in Winter Soldier?).  Advances in CGI aside, the time is right to revisit Steve Gerber and Val Mayerick’s creation on film and hopefully it will be more in line with the original comic book.

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Thoughts on Captain America: The Winter Soldier (SPOILERS)

Captain America The Winter Soldier Poster

Starring Chris Evans (Steve Rogers/Captain America), Scarlett Johanssen (Black Widow), Anthony Mackie (Falcon), Samuel L. Jackson (Nick Fury), Robert Redford (Alexander Pierce), Cobie Smulders (Maria Hill), Sebastian Stan (The Winter Soldier)

Directed by Joe Russo and Anthony Russo; Written by Christopher Markus and Stephen McFeeley; Captain America was created by Joe Simon and Jack Kirby

With each major comic themed film that’s been released over the last year, I couldn’t help but think about when the tide would turn and the genre’s popularity might start to wane.  But with over $400 million in worldwide box office since it’s April 4th opening weekend, Captain America: The Winter Soldier proves the comic book film is still popular among U.S. and international audiences.

Anyone who knows me knows that Captain America is one of my all time favorite comic book characters (see The Captain America Project in my previous posts), so The Winter Soldier is one of the films I’ve been looking forward to the  most this year.  The character really is timeless, with each generation of creators since Joe Simon and Jack Kirby creating stories of pure comic book fantasy (The Silver Age Avengers comic books) and weaving issues and events of the last 70 years into storylines to keep Cap relevant over the years (World War II, Communism, distrust of government in the 70’s, the post 9/11 world).  During the film’s opening weekend I caught a screening of Captain America: The Winter Soldier with two of my amazing friends (I’ll call them Wonder Woman and Phoenix), and the movie didn’t disappoint.

SPOILERS BELOW

Positives:

Chris Evans as Captain America

Steve Rogers doesn’t lose his soul or his hope for America when Project Insight and Pierce’s true motives are exposed.  As a man out of his time with 70 lost years to make up, he retains his ideals and moral compass without being jaded or effected by the modern era.  The fish-out-of-water element of his character doesn’t overpower the story, and it’s his introduction to the returned veterans in Sam Wilson’s support group that provides Cap with a sense of familiarity in a complicated world.

The Winter Soldier

I have to admit, when it was first announced this sequel would focus on the return of Bucky Barnes (played by Sebastian Stan) as HYDRA’s walking death machine The Winter Soldier, my first reaction was mixed.  Writer Ed Brubaker and artist Steve Epting crafted an amazing run with The Winter Soldier in the Captain America comic book, but there was a part of me that was put off by the “resurrection” of Bucky Barnes.  In my opinion, Bucky was one of the Marvel characters (along with Peter Parker/Spider-Man’s Uncle Ben and Gwen Stacy) that should not have been brought back from the dead.  But after seeing the film, I’m sold on bringing Bucky back.

Anthony Mackie as Falcon 

Falcon/Sam Wilson brought me back to the Bronze Age Cap/Falcon stories I grew up with, and actor Anthony Mackie was great in the role.  Sam Wilson was more than Cap’s wingman (sorry for the pun), he’s a leader that holds his own.  His backstory as an Air Force veteran of the War on Terror was the perfect origin for a contemporary Falcon, and his empathy for Steve Rogers as a veteran struggling with a return to normalcy is the backbone of their friendship.

Robert Reford as Alexander Pierce

Going into the film it was Robert Redford’s performance as S.H.I.E.L.D.’s Anthony Pierce that I was looking forward to the most.  This inspired casting elevated Winter Soldier from a high octane comic book/superhero film to an engaging political thriller.  Redford’s portrayal of Pierce and his true motives for Project Insight within S.H.I.E.L.D. was reminiscent of the ambiguous government characters in Alan Pakula’s conspiracy films of the 70’s.  Writers Christopher Markus and Stephen McFeeley referenced the classic films Three Days of the Condor and The Parallax View as influences on their story.

Easter Eggs

I won’t name all of them because the fun is in discovering them.  But one name dropped in the film got me thinking about the future of Marvel’s films: Stephen Strange.   I’ve been saying Doctor Strange was deserving of his own feature film for years.  Let’s hope it’s sooner rather than later.

Different tone from Captain America: The First Avenger

The first film (directed by Joe Johnston) had a look and feel that showed direct inspiration from the pages of the comic books.  Winter Soldier had less of this tone, but I felt it was appropriate for this film.  To me it was representative of how comic book stories have evolved over the last seventy years.  First Avenger was the Golden/Silver Age comic book, but Winter Soldier was the modern age comic book.  Captain America: The Winter Soldier is more than a comic book film, it’s an action film/political thriller with comic book characters.

Negatives:

For me, there weren’t any.

When I first read that part of the story was influenced  by current events, particularly a government “kill list,” I was concerned the film would be too heavily focused on the idea of government as evil/untrustworthy and possibly insert a sucker punch or two.  But I was happy to see the film did not take that route and instead showed the honorable, patriotic members of S.H.I.E.L.D. putting their lives on the line (with many making the ultimate sacrifice) to fight a HYDRA infiltration of their organization.  Great job by writers Christopher Markus and Stephen McFeeley and directors Joe and Anthony Russo.

Captain America: The Winter Soldier is a solid film with equal parts adrenaline and emotion that raises the bar for comic book movies as Marvel Studios works toward The Avengers: Age of Ultron in 2015.  Last week Marvel announced that Captain America 3 will be slated for May 6, 2016, the same weekend as Zack Snyder’s Superman/Batman film.  We’ll see who blinks.

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