Tag Archives: New York Comic Con

The Captain America Project #18: Lee Weeks

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#18: Lee Weeks (Daredevil, Gambit, Daredevil: Dark Nights)

One of my goals at the 2014 New York Comic Con was to wrap up the Captain America project.  With three spots left on the page, I had made my list of final “must have” artists to complete it.  My first stop at NYCC that Sunday morning was Lee Weeks’ table.

I’ve been a fan of Lee’s work for years and really enjoyed his three issue run on Daredevil: Dark Nights (#1-3).  He did a great job on this Cap sketch, and it’s a fantastic addition to the page.

Captain America - Lee Weeks

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NYCC 2014: From Albuquerque to Artist Alley in Record Time

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Since the first show in 2006, the New York Comic Con is the comic book related event that I look forward to the most each year.   I still can’t believe that only eight years ago it started as a one room event that took up a fraction of the Jacob Javits Center.  And while I tend to complain about the crowds in the exhibit hall each year, I am very happy that the show has grown in popularity into one of the premiere comic book conventions with an attendance (over 151,000 attendees) that has now surpassed the San Diego Comic Con.

I’ll admit I don’t take as full advantage of the show as most of the attendees do.  I don’t cosplay (though I am tempted to break out the stormtrooper armor each year), and I avoid the larger panels for the less crowded sessions, but that’s because I choose to maximize my time in Artist Alley to meet the creators that have written and drawn my favorite stories of the last four decades.  This year was no different but that was because I had less time at NYCC than previous years.  My faithful sidekick and I had set up a two week vacation in Arizona and New Mexico that overlapped the first three days of NYCC and I didn’t think I would be able to attend this year.  But when I found out we were flying the red eye from Albuquerque to JFK I knew that I could make the last day of the show.

While I may have missed New York Super Week and the first three days of NYCC, I made up for it by buying some comic related merchandise during our stop in Albuquerque.  First stop was the amazing Astro-Zombies comic shop where I got a great deal on copies of X-Men #90 and Fantastic Four #92.  I also found Days of Future Past HeroClix that sold out at my New York comic and game shops (Storm, Blob, Pyro and a Sentinel!).  If you’re ever in Albuquerque, I highly recommend a visit to Astro-Zombies.  They have a great selection of new and back issues and a friendly staff.  I also picked up a few Marvel Comics themed wall decorations at a local art store on sale.  Buying these items that I would have picked up at NYCC softened the blow of not attending the first three days (and probably saved me a few bucks!).  Heck, even the Albuquerque Hot Air Balloon Fiesta had a con feel with a huge crowd and members of the local chapter of the 501st Legion in attendance as the Darth Vader and Yoda hot air balloons ascended!

The 501st Legion at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante's Inferno)

The 501st Legion at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante’s Inferno)

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Stormtroopers prepare the crowd for Yoda at the 2014 Albuquerque Hot Air Balloon Fiesta

Yoda prepares for liftoff at the 2014 Albuquerque Hot Air Balloon Fiesta

Yoda prepares for liftoff at the 2014 Albuquerque Hot Air Balloon Fiesta

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Darth Vader gets ready for the mass ascension at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante’s Inferno)

But no sooner than I had gotten home from JFK Sunday morning, I was pulling together every book I wanted autographed, my sketch book for commissions, and of course The Captain America Project to (hopefully) complete.  I arrived at the Javits Center around 9:15 that morning, and I was surprised to not see a crowd gathered in front.  But reality soon set in when I realized the thousands of attendees were lined up in the lower level of the convention center prior to the 10:00 start time.  Overall it was a good system, and even though I was towards the back of the line I made it into Artist Alley by about 10:15.  Thankfully most of the attendees were heading to the exhibit hall and Artist Alley was practically empty when I walked in.

My top priority at NYCC was completing the Captain America Project: a jam page of 20 drawings of Captain America by 20 different artists.  After four years, 17 of the 20 spots on my Captain America jam page had been filled by artists like Jim Lee, David Finch, Herb Trimpe and even Golden Age artist Allen Bellman.  I had put a lot of thought into which artists I wanted to finish the page, and even though there were more artists to choose from than spots available on the page, I decided they would be filled by three of my favorite artists of the last 30 years.  My first two stops were Lee Weeks’ and Bob McLeod’s tables.

Weeks’ art has been a favorite of mine over the last ten years, most recently his work on Daredevil: Dark Nights #1-3, and I’ve been a huge fan of Bob McLeod’s work since the early 80’s, particularly his run on The New Mutants.  So as long time fans of their work, they were “must haves” on The Captain America Project.  I had originally planned on posting scans of their Cap sketches in this post, but then I realized they would be major spoilers of their individual posts for The Captain America Project, so I decided to hold off.  But in the meantime, here are a couple of pictures of them sketching on the page:

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Bob McLeod adds a Captain America sketch to the Captain America Project

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Artist Lee Weeks adds a Captain America sketch to the Captain America Project.

Unfortunately, the third artist that I was hoping would cap off the page (pun intended) wasn’t able to attend Sunday, so I’ll keep that one a surprise until I’m able to get that sketch at a future show.

After collecting autographs from artists Rob Liefeld, Allen Bellman, Howard Chaykin and former Marvel writer/artist/editor Al Milgrom for my copy of Marvel: Five Fabulous Decades of the World’s Greatest Comics, my last stop of the afternoon was The Artists’ Choice table for a sketch from artist Jerry Ordway (Superman).  Going into the show, one of the items on my wish list was a full sized sketch of Superman from Ordway, and he didn’t disappoint with this gem:

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Superman by Jerry Ordway

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Artist Jerry Ordway and his Superman sketch.

I had every intention of staying until the end of the show to hit the exhibit hall and get a few more sketches, but by 3:00 I realized that I hadn’t slept in over 30 hours (maybe that’s a con endurance record?) and it was time to head home before I passed out and the attendees swiped my sketches.  But this year’s NYCC was definitely worth the red eye flight and sleep deprivation.  Looking forward to next year!

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A Day at Special Edition: NYC

Special Edition NYC

On Saturday June 14th I had the opportunity to attend Reed Expo’s Special Edition: NYC at the Jacob Javitz Center.  Since its announcement earlier this year, I was looking forward to this event due to its smaller size than October’s New York Comic Con, and its greater focus on the comic book creators.

I arrived at the Javitz Center about a half hour after the doors opened Saturday morning, and at first I wondered if I was in the wrong venue.  There was no line to get into the convention center and it was almost completely empty.  The exhibit hall/Artist Alley was located in the North section of the convention center (Artist Alley at the last two NYCC’s) and while it was a smaller show in terms of space and overall attendance, there was still a good buzz and a good sized crowd for the room.  It was much more low key than NYCC and it gave attendees a better opportunity to meet and chat with the writers and artists in attendance.

Special Edition NYC show floor

Special Edition NYC - Ultron

First stop in Artist Alley was Jerry Ordway’s booth.  A sketch from Jerry was always high on my “must have” list, and I was fortunate enough to have Jerry add Superman to my sketch book.

Jerry Ordway - NY Special Edition

My priority at any comic convention is adding new sketches to my sketchbook, and one of the realities of this obsession is standing in line, sometimes for hours, just for the opportunity to meet or get an autograph/sketch from a favorite creator.  But  it’s always great to meet fellow comic fans on line and talk comics and comic art.  While on line for my Ordway sketch, a fellow attendee showed his latest ink:

Batfan Joe shows off his tattoo in progress of the Joker (front) and Batman (back).

Batfan Joe shows off his tattoo in progress of the Joker (front) and Batman (back).

Another highlight of the show for me was meeting writer/artist/editor and Alien Legion co-creator Carl Potts.  Alien Legion was a favorite comic of mine in the 80’s, and one of my favorite pieces of original comic art in my collection is a page from Alien Legion #4 written by Potts, and drawn by Frank Cirocco and Terry Austin).  I purchased a copy of his latest book The DC Comics Guide to Creating Comics and was happy to hear that Titan Comics will relaunch Alien Legion with Alien Legion: Uncivil War #1 on June 25th.  Needless to say, I’m looking forward to the return of Jugger Grimrod, Torie Montroc and Sarigar!

NY Special Edition - Carl Potts

Some other pickups at the show included two hardcover copies of Marvel Masterworks, X-Men #122 and #123 by Claremont, Byrne and Austin, New Gods #4 by Kirby and Micronauts #2 by Mantlo and Golden.  The final highlight of the show for me was the opportunity to stop by the table of freelance artist and good friend Jose Molestina of Journey Studios.  In all Special Edition: NYC was a great time and I hope Reed Expo brings it back next year.

Jose Molestina of Journey Studios and his sketch of the Flash, the newest addition to my comic art collection.

Jose Molestina of Journey Studios and his sketch of the Flash, the newest addition to my comic art collection.

 

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2013 New York Comic Con

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The New York Comic Con was held October 10-13 at the Jacob Javitz Center in NYC.  To me, NYCC is an annual holiday that allows me to add to my growing collection of original comic book art.  When tickets went on sale over the summer, I had just missed out on purchasing my usual three day pass, but was fortunate to get individual tickets for Saturday and Sunday.  I had to make up for the lost day by tackling my wish list of artwork and the show, particularly Artist Alley, didn’t disappoint.

I arrived on Saturday about 30 minutes before the doors opened and was near the front of the crowd.  When the doors opened at 10 AM, I went directly toward Artist Alley, which for the second year in a row was located in its own section of the Javitz Center separate from the exhibit hall.

2013 NYCC Artist Alley 2

This year I decided to hold off on purchasing original art pages from published works in order to concentrate on obtaining sketches for the sketch book I started back in 2005 (some of them can be seen on my Comic Art Fans page).  This year’s NYCC boasted a great lineup of artists and I knew I would get some great additions to the sketch book.  I actually got an early start on Friday night when JHU Comics hosted a creator signing with New Paradigm for the new comics Watson & Holmes and World War Mob.  At the event, Rick Leonardi (Cloak & Dagger, Spider-Man 2099) added a great Spider-Man to my book.

Rick Leonardi - NYCC 2013

Spider-Man drawn by Rick Leonardi

I started Saturday by stopping by the The Artists Choice table to meet the great George Perez.  His work has been a favorite of mine since his work on The Avengers and The New Teen Titans in the early 80’s, and going into NYCC I had realized that although I’ve gotten sketches from George in the past, I didn’t have one in my sketch book.  George added this drawing of the Flash.

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George Perez at the 2013 New York Comic Con

Saturday brought an unexpected surprise when Kevin Eastman (co-creator of the Teenage Mutant Ninja Turtles) provided fans with autographs and free sketches throughout the day.  I waited on line for about an hour that morning, but had to leave to get John Romita Jr. to autograph both my copy of Marvel: Five Fabulous Decades of the World’s Greatest Comics and my Captain America jam page (both were must-haves on my list).  I thought I had missed out on the opportunity to meet Eastman, but later that afternoon I had heard that he would be back to sign and sketch.  That second time around I was about 10th on line and got a great sketch of Michelangelo in my book and Eastman’s autograph on my NYCC badge.

Kevin Eastman - NYCC 2013

Kevin Eastman at NYCC 2013

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Michelangelo drawn by Kevin Eastman

Adam Hughes is always high on my list for a sketch and I stopped by his booth first thing Sunday morning.  Twice a day, he provides quick marker sketches in exchange for donations to his favorite charity.  I was third on line and got this Batgirl sketch for the book.

Batgirl drawn by Adam Hughes

Batgirl drawn by Adam Hughes

My final sketch of the day was from DC artist Ivan Reis (Green Lantern, Aquaman, Justice League).  In the past I had always been too late to get on his sketch list at NYCC, but he had time on Sunday for brush sketches and I was able to get this amazing drawing of Aquaman:

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Ivan Reis at the 2013 New York Comic COn

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Aquaman drawn by Ivan Reis

Other highlights of the weekend were chatting with legendary artists Klaus Janson (Daredevil, The Dark Knight Returns) and Jose Luis Garcia-Lopez (Batman, Jonah Hex, Superman) and meeting fellow comic art fans.  Overall the show was a great success and I’m already counting the days to the 2014 New York Comic Con.  As I walked out of the Jacob Javitz Convention Center Saturday night, I thought about how much the show has grown since the first NYCC in 2006.  I looked up and noticed the Empire State Building was lit up with the blue and red colors of Spider-Man’s costume.  The first thought that came to my mind at that moment was “Excelsior!”

2013 NYCC Empire State Building

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From My Collection: Uncanny X-Men #173 Cover Recreation by Bob Wiacek

One of the gems of my art collection is a full size recreation of a comic book cover that I commissioned from inker Bob Wiacek at the 2012 New York Comic Con.

Bob’s run on The Uncanny X-Men with penciller Paul Smith and writer Chris Claremont has always been a favorite of mine.  When I had met Bob at last year’s NYCC, I had originally intended to commission a pencil and ink sketch of Wolverine in the classic pose from the iconic cover of Uncanny X-Men #173, but Bob convinced me to go the distance and include Rogue in the background like the original cover.  As you can see, he did a fantastic job on this commission.

I had requested the upper and lower boxes to be drawn in and left blank so I can have other artists draw the head sketches of the other members of the X-Men, and a Spider-Man sketch in the lower UPC box.

All that’s missing is the title and masthead, but I’ll add them at a later date.  But in the meantime, here’s the current version of the commission!

X-Men-173-Wiacek Cover-Recreation

Uncanny X-Men #173 Cover Recreation by Bob Wiacek (After Paul Smith)

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The Captain America Project #13: Jim Lee

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#13: Jim Lee (Justice League, All Star Batman and Robin, X-Men, WildC.A.T.S.)

I wrapped up an incredible haul from 2010’s Big Apple Con and New York Comic Con with this amazing Captain America sketch from the great Jim Lee.  I uploaded a larger than usual image to show the texture and shading from the exposed pencil lines bringing out a darker mood in Cap’s expression.  This is an amazing sketch.

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2012 New York Comic Con

The New York Comic Con was held October 11-14 at the Jacob Javitz Convention Center in New York City.  This was my sixth time attending the show in the last seven years and I’m amazed at how much the convention has grown since the first NYCC in 2006.  If I remember correctly, that first NYCC was in a space no bigger than this year’s Artist Alley and was relegated to the lower level of the Javitz Center.   Now it takes up the entire convention center and it’s still barely enough space for the thousands of comic fans and cosplayers that attend.

NYCC started on Thursday but I had a three day pass beginning on Friday.  I left work early Friday afternoon and cabbed it to the Javitz Center.  There was a good crowd at the Javitz Friday afternoon, but despite the number of people on line the wait time to get in was minimal (on all of the three days I attended) thanks to the fantastic planning by the event organizers Reed Exhibition Companies.

First stop: Artist Alley!

For me NYCC has always been about meeting the comic book writers and artists in attendance, particularly the men and women whose work I read from 1977-1989, and this show didn’t disappoint.  I had spent the week prior to NYCC looking over the list of comic creators that would be in attendance and putting together a list of who I would try to get sketches from.  My list ran down an entire page and would have cost me about a month’s salary if I was able to get all of the proposed sketches, so  I scaled it down to my “must haves.”

The first artist I met was Rick Leonardi, penciller of many Marvel titles including Cloak & Dagger, The Uncanny X-Men, and Spider-Man 2099 just to name a few.  I’ve been a big fan of his over the years, and at last year’s show I had commissioned a sketch of Cloak and Dagger from him that is one of my favorite pieces of art in my personal collection.  Lucky for me Rick’s sketch list wasn’t filled up yet when I arrived.  I asked for a Dr. Strange and he hit this one out of the park.  This sketch is definitely one of the highlights of my book.  He even added Kirby crackle!

Dr. Strange sketch by Rick Leonardi.
2012 New York Comic Con

Next up was one of my favorite inkers, Bob Wiacek.  His run on The Uncanny X-Men with penciller Paul Smith in the early 80’s is one of my all time favorites.  I decided to get a Wolverine sketch on 11″x17″ comic art board based on Paul Smith’s amazing cover from Uncanny X-Men #173.  I initially asked Bob to draw Wolverine only with the intention of having another artist draw Rogue, but I quickly changed my mind and asked him to include Rogue as well for a full cover recreation.  He showed me the pencils on Saturday, which were AMAZING, and the commission will be fully inked and FedExed to me this week.  Needless to say, this will be the signature piece of my comic art collection.

Going into the show I had a Tony Daniel sketch on my wish list, and I was able to get not one, but TWO sketches from Tony on Saturday and Sunday.  First up was a sketch card of Poison Ivy, followed by a sketch of Harley Quinn in my sketch book.  Not only is Tony an amazing artist, he is one of the nicest people I have met in my years of attending comic conventions.

Poison Ivy
Drawn by Tony Daniel

Tony Daniel shows off a Harley Quinn sketch

I was also fortunate enough to get this great Savage Dragon sketch from Erik Larsen.  The hits just keep on coming!

One of the highlights of the weekend was chatting with several of the creators in attendance about their work.  I have a copy of Marvel: Five Fabulous Decades of the World’s Greatest Comics by Les Daniels and decided to get the Marvel alumni in attendance to autograph the inside cover.  I walked up to Louise Simonson’s table for an autograph and was surprised to see former artist/editor Carl Potts.  I had a great conversation with both of them and mentioned to Carl that I’m proud the owner of a page he drew from Alien Legion #4 (inked by Terry Austin).  Bob McLeod was very generous with his time discussing the creation of The New Mutants (post to follow!).

I walked the exhibit hall floor a few times, mainly to check out the original comic art for sale.  I fully expected the number of attendees to peak on Saturday, but the show floor was also crowded on Friday and Sunday.  After awhile I decided to stick with Artist Alley.

I did buy one piece of published original comic art over the weekend, a religious themed page drawn by Rick Leonardi and inked by Joe Rubinstein from a story they collaborated on back in the 90’s.  I won’t give too much information on the piece because I’m hoping to write a blog post on it for the Holidays.  But I will say it was a page that I wanted to buy when I first saw it online, but never thought I would have the chance to purchase it.  Now it’s officially part of my “not for sale” collection.

I had a fantastic time at NYCC over the weekend and overall I thought the show was an amazing success.  This picture pretty much sums up for me:

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The Captain America Project #12: Adam Hughes

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#12: Adam Hughes (Before Watchmen: Dr. ManhattanCover Run)

Hi folks!  I just got back from an amazing vacation in Italy, hence the lack of posts the last few weeks.  I have a few Italy related posts in the pipeline, but I figured the best way to get back in the swing of things on Fante’s Inferno was with a post on the Captain America Project.

The twelfth spot on my Captain America jam page belongs to the amazing Adam Hughes.  I’ve seen him at the New York comic conventions over the years and I never get tired of watching him draw.  He was drawing quick sketches at the 2010 New York Comic Con in return for donations to a charity he was raising funds for and I was fortunate to get a Captain America head sketch.

I really like that the pencil lines are still visible underneath the inks.  It’s amazing how much strength Hughes was able to capture in Cap’s expression with only a few lines.

Captain America by Adam Hughes
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The Captain America Project #11: Khoi Pham

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#11: Khoi Pham (Mighty Avengers, X-Factor)

The 2010 Big Apple Con was also a mother-lode of Captain America sketches for my jam page.  Next up on my list was Khoi Pham.  I love the line work on this panel.  And even though only half of Cap’s face is visible, Pham brings out the intensity in Cap’s expression.

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The Captain America Project #10: Steve Epting

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

This week: Steve Epting (Captain America, Avengers, Fantastic Four)

We’re officially at the halfway point of the Captain America Project!  To call this a passion project is an understatement.  It’s been almost two years since I commissioned the first Captain America sketch for this jam page, and I’ve enjoyed it every step of the way.  I’ve had more than a few folks I’ve met at the comic cons say “Are you still lugging that thing around?”  Yep, until it’s finished!  I won’t give away how many panels I have to go, but it’s almost complete.  In the meantime, I hope you’ll enjoy the updates!

Steve Epting was the second artist I approached at the 2010 New York Comic Con at the Javitz Center.  As a fan of his run on Captain America, he was one of the artists I needed to get a sketch from for this page.   His commission list was full by the time I made it to his table but since the panel was smaller than a baseball card, he said he would try to fit it in later in the show.  Needless to say, it was worth the wait!

Captain America sketch by Steve Epting

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