Tag Archives: Comic Book Convention

From My Collection: Finding A Bargain Box Copy of Fantastic Four #51

Fifty years ago today Fantastic Four #51, Stan Lee and Jack Kirby’s classic “This Man…This Monster” hit the spinner rack and quickly became one of the most memorable and beloved stories of their incredible run.

I’ve seen many references to “This Man…This Monster” over the years, each with a scan of Kirby and Sinnott’s splash page of the Thing walking the streets of Manhattan in the rain. But regardless of how many times I’ve seen a blurb or article praising FF #51’s story, art, and its place in comic book history, I never actually read the story.

I’ve recently started collecting Marvel Masterworks, including the first volume of the Fantastic Four covering issues #1-10. As much as I enjoy reading the classic Silver Age stories in that format, I find the new coloring a bit “off” and I still very much prefer reading original comic books in their four color glory, which is part of the reason I hadn’t read “This Man…This Monster” until recently. But I’m getting ahead of myself.

Back in June of 2015 I had attended Special Edition NYC, Reed Expo’s offshoot of the New York Comic Con, which was a smaller convention that is more focused comic books and the creators than NYCC. In spite of the mile long line to get into Pier 94, the crowd was very manageable for that venue. Normally at comic conventions I tend to stay in Artist Alley and spend most of my money on sketches, but his time around I was looking to buy some Bronze Age Marvel and DC Comics. One vendor in particular caught my eye with several tables of long boxes with comics priced from $2 to $7. I was expecting to find books from the 70s and 80s (and there were plenty of those) but as I worked through the boxes, I started to find more than a few Marvel books from the 60s!

And there it was: Fantastic Four #51.

Priced at $2.00

Fantastic Four #51 Cover

Fantastic Four #51 (Copyright Marvel Comics)

It had to be a reprint, I thought. But a quick glance of the cover made it clear that I was holding a well read original copy of “This Man…This Monster.” How it was still in the box was a mystery to me considering the crowd gathered at this booth and the low price. Granted it was in very bad shape (it would probably have been graded as a 0.5), the cover was still barely attached by one staple and there was an old Marvel Comics sticker affixed to the back. Coincidentally the sticker was the Kirby/Sinnott drawing of The Thing from the cover of this particular issue. In spite of the condition, I had to have it even if it was falling apart and destined to be a reading copy.

Fantastic Four #51 Splash Page

Fantastic Four #51 (Copyright Marvel Comics)

The story begins with a dejected Ben Grimm (The Thing) standing in the rain in the streets of Manhattan, feeling sorry for himself and his present physical appearance. A mysterious stranger invites him into his home, offering Ben a cup of coffee and a sympathetic ear. But all isn’t as it seems. The mysterious host is a frustrated scientist jealous of Reed Richards and has drawn Ben into his home to drug him and test his “duplication apparatus.” He hooks the machine up to Ben and himself, taking on the physical appearance of The Thing while Ben reverts back to his human form.

Fantastic Four #51 page

Fantastic Four #51 (Copyright Marvel Comics)

Several days later in the Baxter Building as Reed Richards (Mr. Fantastic) works on a weapon that would take on Galactus, the impostor Thing enters and begins to help Reed with the heavy lifting. But no sooner than he arrives, the real Ben Grimm storms in warning Reed and Sue (the Invisible Girl) that the orange monster in front of them is a fake. Despite the real Ben’s pleas to believe him, Reed and Sue can’t believe that Ben would have reverted back to his human form. Ben storms out leaving the impostor in his place, which could be fatal to Reed.

Fantastic Four #51 panels

Fantastic Four #51 (Copyright Marvel Comics)

No spoilers here. This is a great story with all of the elements of classic 60’s Lee and Kirby and emotional impact on every page. And it wouldn’t be a Kirby FF without a splash page or three that truly showcases his genius. Reading this original copy of Fantastic Four #51 inspired me to find and collect other original issues from Lee and Kirby’s run. I bought my first Lee/Kirby FF a couple of years back during an impromptu visit to the Astro-Zombies comic shop in Albuquerque, NM thinking that would be the the only pre-FF #100 issue I would own. And while I won’t be able to afford a copy of Fantastic Four #1 any time soon, I’ve begun a collection of pre-FF #100 issues (ranging from issues #33 to #93) that numbers twelve and counting for less than $10 each. They may be reading copies, but they’re mine and I still treasure them.

Advertisements
Tagged , , , , , , , , , , , , , ,

The Captain America Project #18: Lee Weeks

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#18: Lee Weeks (Daredevil, Gambit, Daredevil: Dark Nights)

One of my goals at the 2014 New York Comic Con was to wrap up the Captain America project.  With three spots left on the page, I had made my list of final “must have” artists to complete it.  My first stop at NYCC that Sunday morning was Lee Weeks’ table.

I’ve been a fan of Lee’s work for years and really enjoyed his three issue run on Daredevil: Dark Nights (#1-3).  He did a great job on this Cap sketch, and it’s a fantastic addition to the page.

Captain America - Lee Weeks

Tagged , , , , , , , , , , , , ,

NYCC 2014: From Albuquerque to Artist Alley in Record Time

NYCC 2014 2

Since the first show in 2006, the New York Comic Con is the comic book related event that I look forward to the most each year.   I still can’t believe that only eight years ago it started as a one room event that took up a fraction of the Jacob Javits Center.  And while I tend to complain about the crowds in the exhibit hall each year, I am very happy that the show has grown in popularity into one of the premiere comic book conventions with an attendance (over 151,000 attendees) that has now surpassed the San Diego Comic Con.

I’ll admit I don’t take as full advantage of the show as most of the attendees do.  I don’t cosplay (though I am tempted to break out the stormtrooper armor each year), and I avoid the larger panels for the less crowded sessions, but that’s because I choose to maximize my time in Artist Alley to meet the creators that have written and drawn my favorite stories of the last four decades.  This year was no different but that was because I had less time at NYCC than previous years.  My faithful sidekick and I had set up a two week vacation in Arizona and New Mexico that overlapped the first three days of NYCC and I didn’t think I would be able to attend this year.  But when I found out we were flying the red eye from Albuquerque to JFK I knew that I could make the last day of the show.

While I may have missed New York Super Week and the first three days of NYCC, I made up for it by buying some comic related merchandise during our stop in Albuquerque.  First stop was the amazing Astro-Zombies comic shop where I got a great deal on copies of X-Men #90 and Fantastic Four #92.  I also found Days of Future Past HeroClix that sold out at my New York comic and game shops (Storm, Blob, Pyro and a Sentinel!).  If you’re ever in Albuquerque, I highly recommend a visit to Astro-Zombies.  They have a great selection of new and back issues and a friendly staff.  I also picked up a few Marvel Comics themed wall decorations at a local art store on sale.  Buying these items that I would have picked up at NYCC softened the blow of not attending the first three days (and probably saved me a few bucks!).  Heck, even the Albuquerque Hot Air Balloon Fiesta had a con feel with a huge crowd and members of the local chapter of the 501st Legion in attendance as the Darth Vader and Yoda hot air balloons ascended!

The 501st Legion at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante's Inferno)

The 501st Legion at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante’s Inferno)

ABQ 2

Stormtroopers prepare the crowd for Yoda at the 2014 Albuquerque Hot Air Balloon Fiesta

Yoda prepares for liftoff at the 2014 Albuquerque Hot Air Balloon Fiesta

Yoda prepares for liftoff at the 2014 Albuquerque Hot Air Balloon Fiesta

ABQ 3

Darth Vader gets ready for the mass ascension at the 2014 Albuquerque Hot Air Balloon Fiesta (image copyright 2014 Fante’s Inferno)

But no sooner than I had gotten home from JFK Sunday morning, I was pulling together every book I wanted autographed, my sketch book for commissions, and of course The Captain America Project to (hopefully) complete.  I arrived at the Javits Center around 9:15 that morning, and I was surprised to not see a crowd gathered in front.  But reality soon set in when I realized the thousands of attendees were lined up in the lower level of the convention center prior to the 10:00 start time.  Overall it was a good system, and even though I was towards the back of the line I made it into Artist Alley by about 10:15.  Thankfully most of the attendees were heading to the exhibit hall and Artist Alley was practically empty when I walked in.

My top priority at NYCC was completing the Captain America Project: a jam page of 20 drawings of Captain America by 20 different artists.  After four years, 17 of the 20 spots on my Captain America jam page had been filled by artists like Jim Lee, David Finch, Herb Trimpe and even Golden Age artist Allen Bellman.  I had put a lot of thought into which artists I wanted to finish the page, and even though there were more artists to choose from than spots available on the page, I decided they would be filled by three of my favorite artists of the last 30 years.  My first two stops were Lee Weeks’ and Bob McLeod’s tables.

Weeks’ art has been a favorite of mine over the last ten years, most recently his work on Daredevil: Dark Nights #1-3, and I’ve been a huge fan of Bob McLeod’s work since the early 80’s, particularly his run on The New Mutants.  So as long time fans of their work, they were “must haves” on The Captain America Project.  I had originally planned on posting scans of their Cap sketches in this post, but then I realized they would be major spoilers of their individual posts for The Captain America Project, so I decided to hold off.  But in the meantime, here are a couple of pictures of them sketching on the page:

NYCC 2014 4

Bob McLeod adds a Captain America sketch to the Captain America Project

NYCC 2014 3

Artist Lee Weeks adds a Captain America sketch to the Captain America Project.

Unfortunately, the third artist that I was hoping would cap off the page (pun intended) wasn’t able to attend Sunday, so I’ll keep that one a surprise until I’m able to get that sketch at a future show.

After collecting autographs from artists Rob Liefeld, Allen Bellman, Howard Chaykin and former Marvel writer/artist/editor Al Milgrom for my copy of Marvel: Five Fabulous Decades of the World’s Greatest Comics, my last stop of the afternoon was The Artists’ Choice table for a sketch from artist Jerry Ordway (Superman).  Going into the show, one of the items on my wish list was a full sized sketch of Superman from Ordway, and he didn’t disappoint with this gem:

IMG_3072

Superman by Jerry Ordway

IMG_3071

Artist Jerry Ordway and his Superman sketch.

I had every intention of staying until the end of the show to hit the exhibit hall and get a few more sketches, but by 3:00 I realized that I hadn’t slept in over 30 hours (maybe that’s a con endurance record?) and it was time to head home before I passed out and the attendees swiped my sketches.  But this year’s NYCC was definitely worth the red eye flight and sleep deprivation.  Looking forward to next year!

Tagged , , , , , , , , , , , , , , , , , , , , , ,

A Day at Special Edition: NYC

Special Edition NYC

On Saturday June 14th I had the opportunity to attend Reed Expo’s Special Edition: NYC at the Jacob Javitz Center.  Since its announcement earlier this year, I was looking forward to this event due to its smaller size than October’s New York Comic Con, and its greater focus on the comic book creators.

I arrived at the Javitz Center about a half hour after the doors opened Saturday morning, and at first I wondered if I was in the wrong venue.  There was no line to get into the convention center and it was almost completely empty.  The exhibit hall/Artist Alley was located in the North section of the convention center (Artist Alley at the last two NYCC’s) and while it was a smaller show in terms of space and overall attendance, there was still a good buzz and a good sized crowd for the room.  It was much more low key than NYCC and it gave attendees a better opportunity to meet and chat with the writers and artists in attendance.

Special Edition NYC show floor

Special Edition NYC - Ultron

First stop in Artist Alley was Jerry Ordway’s booth.  A sketch from Jerry was always high on my “must have” list, and I was fortunate enough to have Jerry add Superman to my sketch book.

Jerry Ordway - NY Special Edition

My priority at any comic convention is adding new sketches to my sketchbook, and one of the realities of this obsession is standing in line, sometimes for hours, just for the opportunity to meet or get an autograph/sketch from a favorite creator.  But  it’s always great to meet fellow comic fans on line and talk comics and comic art.  While on line for my Ordway sketch, a fellow attendee showed his latest ink:

Batfan Joe shows off his tattoo in progress of the Joker (front) and Batman (back).

Batfan Joe shows off his tattoo in progress of the Joker (front) and Batman (back).

Another highlight of the show for me was meeting writer/artist/editor and Alien Legion co-creator Carl Potts.  Alien Legion was a favorite comic of mine in the 80’s, and one of my favorite pieces of original comic art in my collection is a page from Alien Legion #4 written by Potts, and drawn by Frank Cirocco and Terry Austin).  I purchased a copy of his latest book The DC Comics Guide to Creating Comics and was happy to hear that Titan Comics will relaunch Alien Legion with Alien Legion: Uncivil War #1 on June 25th.  Needless to say, I’m looking forward to the return of Jugger Grimrod, Torie Montroc and Sarigar!

NY Special Edition - Carl Potts

Some other pickups at the show included two hardcover copies of Marvel Masterworks, X-Men #122 and #123 by Claremont, Byrne and Austin, New Gods #4 by Kirby and Micronauts #2 by Mantlo and Golden.  The final highlight of the show for me was the opportunity to stop by the table of freelance artist and good friend Jose Molestina of Journey Studios.  In all Special Edition: NYC was a great time and I hope Reed Expo brings it back next year.

Jose Molestina of Journey Studios and his sketch of the Flash, the newest addition to my comic art collection.

Jose Molestina of Journey Studios and his sketch of the Flash, the newest addition to my comic art collection.

 

Tagged , , , , , , , , , , , , , , , ,

2013 New York Comic Con

2013 NYCC 2

The New York Comic Con was held October 10-13 at the Jacob Javitz Center in NYC.  To me, NYCC is an annual holiday that allows me to add to my growing collection of original comic book art.  When tickets went on sale over the summer, I had just missed out on purchasing my usual three day pass, but was fortunate to get individual tickets for Saturday and Sunday.  I had to make up for the lost day by tackling my wish list of artwork and the show, particularly Artist Alley, didn’t disappoint.

I arrived on Saturday about 30 minutes before the doors opened and was near the front of the crowd.  When the doors opened at 10 AM, I went directly toward Artist Alley, which for the second year in a row was located in its own section of the Javitz Center separate from the exhibit hall.

2013 NYCC Artist Alley 2

This year I decided to hold off on purchasing original art pages from published works in order to concentrate on obtaining sketches for the sketch book I started back in 2005 (some of them can be seen on my Comic Art Fans page).  This year’s NYCC boasted a great lineup of artists and I knew I would get some great additions to the sketch book.  I actually got an early start on Friday night when JHU Comics hosted a creator signing with New Paradigm for the new comics Watson & Holmes and World War Mob.  At the event, Rick Leonardi (Cloak & Dagger, Spider-Man 2099) added a great Spider-Man to my book.

Rick Leonardi - NYCC 2013

Spider-Man drawn by Rick Leonardi

I started Saturday by stopping by the The Artists Choice table to meet the great George Perez.  His work has been a favorite of mine since his work on The Avengers and The New Teen Titans in the early 80’s, and going into NYCC I had realized that although I’ve gotten sketches from George in the past, I didn’t have one in my sketch book.  George added this drawing of the Flash.

NYCC George Perez Flash

George Perez at the 2013 New York Comic Con

Saturday brought an unexpected surprise when Kevin Eastman (co-creator of the Teenage Mutant Ninja Turtles) provided fans with autographs and free sketches throughout the day.  I waited on line for about an hour that morning, but had to leave to get John Romita Jr. to autograph both my copy of Marvel: Five Fabulous Decades of the World’s Greatest Comics and my Captain America jam page (both were must-haves on my list).  I thought I had missed out on the opportunity to meet Eastman, but later that afternoon I had heard that he would be back to sign and sketch.  That second time around I was about 10th on line and got a great sketch of Michelangelo in my book and Eastman’s autograph on my NYCC badge.

Kevin Eastman - NYCC 2013

Kevin Eastman at NYCC 2013

NYCC - Kevin Eastman Michelangelo

Michelangelo drawn by Kevin Eastman

Adam Hughes is always high on my list for a sketch and I stopped by his booth first thing Sunday morning.  Twice a day, he provides quick marker sketches in exchange for donations to his favorite charity.  I was third on line and got this Batgirl sketch for the book.

Batgirl drawn by Adam Hughes

Batgirl drawn by Adam Hughes

My final sketch of the day was from DC artist Ivan Reis (Green Lantern, Aquaman, Justice League).  In the past I had always been too late to get on his sketch list at NYCC, but he had time on Sunday for brush sketches and I was able to get this amazing drawing of Aquaman:

NYCC - Ivan Reis

Ivan Reis at the 2013 New York Comic COn

NYCC - Ivan Reis Aquaman

Aquaman drawn by Ivan Reis

Other highlights of the weekend were chatting with legendary artists Klaus Janson (Daredevil, The Dark Knight Returns) and Jose Luis Garcia-Lopez (Batman, Jonah Hex, Superman) and meeting fellow comic art fans.  Overall the show was a great success and I’m already counting the days to the 2014 New York Comic Con.  As I walked out of the Jacob Javitz Convention Center Saturday night, I thought about how much the show has grown since the first NYCC in 2006.  I looked up and noticed the Empire State Building was lit up with the blue and red colors of Spider-Man’s costume.  The first thought that came to my mind at that moment was “Excelsior!”

2013 NYCC Empire State Building

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Captain America Project #15: Allen Bellman

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#15: Allen Bellman (Captain America Comics, All Winners Comics, The Human Torch, Marvel Mystery Comics, Sub Mariner Comics, Young Allies Comics)

When I started the Captain America Project in 2010, I never expected to meet or obtain a sketch from a Golden Age comic book artist that actually drew Captain America during World War II.  But last March when I read that Allen Bellman would be attending Mike Carbo’s New York Comic Book Expo, I had to meet him.  Before I could even ask if he was sketching, he saw my Captain America jam page and quickly grabbed a pencil to draw a classic style Cap for me.

Captain America drawn by Allen Bellman

Captain America drawn by Allen Bellman

Tagged , , , , , , , ,