Tag Archives: Marvel Comics

Thoughts on the Guardians of the Galaxy Trailer

It’s been barely 24 hours since the Guardians of the Galaxy trailer was released and it has already topped 4 million views on YouTube.  I was surprised by the positive buzz over it in my office today, mostly from non-comic book readers (including one of my co-workers that admitted he’s never read a comic book in his life – you know who you are…).

When I first learned that Marvel Studios had green-lit Guardians of the Galaxy, my initial reactions were surprise and skepticism.  Considering the higher profile characters and super teams that have yet to get the big screen treatment (Doctor Strange, Black Panther), I was surprised Guardians was even on the cinematic radar.  I’ve only read a handful of GotG comics, so while I’m hopeful the film version of Guardians of the Galaxy will continue Marvel Studios’ current positive streak at the box office, I’m not as emotionally connected to the characters or canon as I would be to the Fantastic Four, Alpha Flight or even the New Mutants.

Before I even watched the Guardians trailer, I was convinced I wouldn’t like it.  Maybe a better choice of words would be that I was convinced there wouldn’t be enough in it to make me want to give the film a chance.  But I’ll admit, I liked what I saw though not without a few concerns.

Positives:

A solid cast: Bradley Cooper (Rocket Raccoon), Vin Diesel (Groot), Zoe Saldana (Gamora), Benicio Del Toro (the Collector), Djimon Hounsou (Korath the Pursuer), Glenn Close (Commander Rael), John C. Reilly (Rhomann Dey)

The effects, production design and makeup/costumes show that Marvel Studios saw something in the Guardians of the Galaxy and didn’t skimp on the budget.

However:

The trailer doesn’t give any indication as to what the movie is about.  Maybe the “Who are these guys?” element of the trailer will drum up initial curiosity/interest in the film, but I can’t help but wonder what it might be lacking in plot.

The reliance on comedy in the trailer has me concerned that the studio is trying to make the film more “accessible” to a non-comic reading audience by having the film make fun of itself rather than creating a story true to the GotG canon.  Nothing irks me more than a comic book movie that gives a wink to the audience as if to say, “We know comics aren’t cool, but this is!”  Chris Pratt’s Star-Lord reminded me of Bill Pullman’s character Lone Starr in Spaceballs.

But in spite of my concerns, I’ll still hold out hope that Guardians of the Galaxy is a good film that both comic readers and non-comic book readers will enjoy, and that it will be successful enough at the box office to add more comic book films to the pipeline.

Guardians of the Galaxy opens in theaters August 1, 2014.

On a side note, BleedingCool.com posted this article on Rocket Raccoon co-creator Bill Mantlo.  A significant portion of my comic book collection growing up was written by Mantlo, with my favorite titles Micronauts, ROM: Spaceknight and Cloak & Dagger.  In 1992 Mantlo was the victim of a hit and run accident that caused a traumatic brain injury and he has required ongoing care ever since.  I made my donation tonight.  I hope this article will inspire other fans of his work to also make a contribution towards the cost of his care.

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Happy Birthday, Jack Kirby

Happy birthday to Jack “King” Kirby on what would have been his 96th birthday.

My first exposure to Jack Kirby’s work was back in the 70’s in the Italian language reprints of his Silver Age work on The Fantastic Four and the Eternals.  These reprints were published in Italy about 10 years after their initial U.S. publication, but they were new to me and I was hooked.  I’ve been a fan of his work ever since, and I’m truly grateful for the iconic characters he created and co-created over the course of his career.

Jack Kirby Portrait

Jack Kirby Galactus

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The Captain America Project #17: Michael Zeck

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#17: Michael Zeck

When I started the Captain America Project in 2010, I knew the page would not be complete without a sketch by Michael Zeck.  His run on Captain America in the early 80’s was my favorite of the title and stood out with his bold artwork and amazing covers.  He rarely made convention appearances so I wasn’t sure the opportunity would come up for a sketch, but I always kept a space open on the page “just in case. ”  Back in June I had the honor of meeting him at Wizard World in New York and he drew this fantastic Cap sketch for me at the show.

A big thanks to Michael and also to Renee Witterstaetter of Eva Ink Artist Group for the opportunity to add this Captain America sketch to the page.

Captain America - Mike Zeck

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From My Collection: Uncanny X-Men #173 Cover Recreation by Bob Wiacek

One of the gems of my art collection is a full size recreation of a comic book cover that I commissioned from inker Bob Wiacek at the 2012 New York Comic Con.

Bob’s run on The Uncanny X-Men with penciller Paul Smith and writer Chris Claremont has always been a favorite of mine.  When I had met Bob at last year’s NYCC, I had originally intended to commission a pencil and ink sketch of Wolverine in the classic pose from the iconic cover of Uncanny X-Men #173, but Bob convinced me to go the distance and include Rogue in the background like the original cover.  As you can see, he did a fantastic job on this commission.

I had requested the upper and lower boxes to be drawn in and left blank so I can have other artists draw the head sketches of the other members of the X-Men, and a Spider-Man sketch in the lower UPC box.

All that’s missing is the title and masthead, but I’ll add them at a later date.  But in the meantime, here’s the current version of the commission!

X-Men-173-Wiacek Cover-Recreation

Uncanny X-Men #173 Cover Recreation by Bob Wiacek (After Paul Smith)

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The Captain America Project #16: Joe Sinnott

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#16: Joe Sinnott (Fantastic Four, Journey Into Mystery, Strange Tales, The Amazing Spider-Man Sunday Comic Strip)

I’ve met Joe Sinnott on several occasions at the New York comic book conventions over the last several years.  Each meeting has always been a pleasure and honor to chat with one of the legends of Marvel Comics.  The highlights of his career are too numerous to list, as he’s inked every major artist for Marvel/Timely over the last 60 years.  Needless to say, a Captain America sketch from Joe was a must have!

Captain America drawn by Joe Sinnott

Captain America drawn by Joe Sinnott

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A Look at Marvel Studios’ Phase 3 Movies

I’m a big fan of how Marvel Studios used the post-credit scenes in Iron Man, Thor and Captain America during Phase 1 of its movie releases to drum up enthusiasm for 2012’s The Avengers.  It didn’t disappoint, and now Phase 2 is barely underway and I’m already thinking about what lies ahead for Marvel Studios, particularly the films in discussion for Phase 3.

Phase 2 launched with the release of Iron Man 3, and continues to 2015 with Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy and ending with the eagerly anticipated Avengers 2.  I have to admit, I was surprised with their choice of Guardians of the Galaxy considering they’re less well known to the non-comic book reading movie audience (I was hoping for a team like The New Mutants).  Considering the level of excitement the studio has for Guardians there should be significant marketing for it, but I’m still skeptical it can draw a large audience.

But while the films of Marvel Phase 2 have me excited for their upcoming release, some of the characters Kevin Feige mentioned to Entertainment Weekly regarding Marvel Studio’s Phase 3 have me intrigued.

CONFIRMED:

Ant-Man

Ant-Man Cover

Release Date: November 2015

Director: Edgar Wright; Screenwriter: Joe Cornish

Ant-Man has been in development for awhile now, and is on the slate for a 2015 release with Edgar Wright (Shaun of the Dead, Hot Fuzz, Scott Pilgrim vs. The World) attached to direct.  The choice of Ant-Man wasn’t as surprising as Guardians considering the character has been around since the 60’s and was a member of The Avengers, but one concern that I hear the most from comic book fans is if Ant-Man is able to hold his own in a feature film like Iron Man or Thor.  His powers aren’t the most exciting for a superhero: he can shrink to the size of an ant and yet retain his human strength, and his helmet allows him to communicate with ants.

When I think of Ant-Man, the first thing that comes to mind is the ribbing he received in this Saturday Night Live sketch back in the 70’s.

An Ant-Man cameo in 2012’s The Avengers would have been a good introduction prior to his feature debut, but Wright felt an appearance in The Avengers wouldn’t be conducive to his film.

STRONG POSSIBILITIES:

Doctor Strange

Doctor Strange Cover

Possible Release Date: 2016

Doctor Strange has always been on my wish list for the movie treatment.  At age six I stayed up late the night of September 6, 1978 to watch Peter Hooten play the title role in the CBS made-for-TV Doctor Strange movie, and I’ve been waiting for someone to get it right ever since.  Since his comic book introduction in 1963, Doctor Strange has been brought to life by such talent as Stan Lee, Steve Ditko,  Bill Everett, Marie Severin, Gene Colan and Frank Brunner, but it was the Roger Stern/Marshall Rogers/Paul Smith runs of the early 80’s that solidified my appreciation of the character.

The casting of Doctor Strange should be interesting.  Prior to seeing Iron Man, I had envisioned Robert Downey Jr. as Stephen Strange.  But now that he’s firmly entrenched in the role of  Tony Stark, that’s unlikely to happen.

The Incredible Hulk

The Incredible Hulk Cover

I wasn’t a fan of the last two Hulk films, and prior to The Avengers I wasn’t sure how the Hulk would be utilized.  I always saw him as more of a Defender than an Avenger.  Mark Ruffalo did a great job as Banner/Hulk and I’m hoping he gets another chance at a stand-alone film.

HOLDING OUT HOPE:

The Inhumans

The Inhumans Cover

I first heard of the possibility of an Inhumans film a couple of years back and they deserve their own feature film.  Normally I would say they should at least be introduced in a Fantastic Four film, but hopefully that won’t happen considering how Fox (in my humble opinion) wasn’t able to provide the Fantastic Four, Doctor Doom, the Silver Surfer or Galactus with feature film adaptations that were worthy of their stature in the Marvel Universe.

Daredevil

Daredevil Cover

Another personal favorite of mine that I hope gets done right on film sooner rather than later.  I got my hopes up when Joe Carnahan released this sizzle reel with elements from Taxi Driver and The Warriors, but it’s looking doubtful that The Man Without Fear is high enough on Marvel Studio’s priority list for a reboot any time soon.  The silver lining: at least it’s back with Marvel Studios (along with Ghost Rider, The Punisher and Blade).  As much as I would like to see Daredevil as a feature length film, I think it would work even better as a TV series. Hopefully Agents of S.H.I.E.L.D will take off and open the floodgates for more Marvel characters on TV.

MY PERSONAL WISH LIST:

The New Mutants
Alien Legion
Marvel Team Up
The Defenders
Black Panther
Power Man and Iron Fist

Hopefully the films of Marvel Studios’ Phase 3 will lead to a Phase 4 in the following decade.  Until then, there will be plenty of discussion as to which characters deserve the feature film treatment, but more importantly there will be plenty of Marvel films to tide fans over.  Excelsior!

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A look at this summer’s comic book films

Based on the strength of Iron Man 3’s performance last weekend, grossing $170 million domestic and $680 million worldwide, moviegoers and critics that predicted (and in some cases hoped for) the decline of the comic book movie will be disappointed.

For a guy that grew up in an era that didn’t have that many comic book movies released, and with many of those that were released not measuring up to their respective source material, it feels like we’re finally living in a Golden Age of comic book movies and I’m hoping there’s no end in sight.

Sometimes my comic book fandom interfered with my ability to enjoy a comic book film on its own merits.  I used to be a staunch believer that a comic book movie had to be as close to the printed source material as possible, but I’ve had a change of perspective over the last couple of years.  When the first wave of comic book movies was released, my complaints usually began with the changes made to the superhero costumes.  (Wolverine’s yellow costume wasn’t cinematic enough?  Then use the brown costume!)  But over a time, a personal caveat like Captain America’s costume deviating from the classic Joe Simon/Jack Kirby design was overshadowed by my pure enjoyment of a film.  Now I accept the need to balance respect for the source material (particularly the characters and their origins) with the new ideas filmmakers can bring to the franchise.  Rather than seeing the film version as a verbatim representation of the comic book, I now go into each film wanting to see it as a new adventure for the characters.

With the latest influx of comic book related films summer has now become my favorite time of year for moviegoing, and this summer’s lineup of releases has me planning my trips to the multiplex.

Here’s a look at the upcoming comic book films for Summer 2013:

Man of Steel

Man of Steel Movie Poster

Release Date: June 14

Directed by Zac Snyder; Screenplay by David Goyer

Starring Henry Cavill (Superman/Clark Kent), Michael Shannon (General Zod), Amy Adams (Lois Lane), Russell Crowe (Jor-El), Kevin Costner (Jonathan Kent), Diane Lane (Martha Kent)

See the trailer here.

Man of Steel is the summer 2013 film I was looking forward to the most.  Back in ’06 the trailer for Superman Returns, complete with a voice over by Marlon Brando from 1978’s Superman: The Movie, made me think that Bryan Singer had taken the first step in reigniting the Superman franchise.  Unfortunately the trailer was better than the film, which was little more than a re-hashing of Lex Luthor’s scheme from Richard Donner’s Superman.  This time around, everything about the trailer for Man of Steel has me wanting to see this film.  While it is a reboot, it has elements from both Superman: The Movie (the origin story) and Superman II (General Zod).  The tone is a little darker than I expected but the cast, from Russell Crowe as Jor-El, Kevin Costner as Jonathan Kent and Michael Shannon as General Zod, looks fantastic.  Christopher Reeve instinctively comes to mind when I think of the role of Clark Kent/Superman, but I’m looking forward to seeing Henry Cavill’s take on Superman/Clark Kent.

Red 2

Red 2 Movie Poster

Release Date: July 19

Directed by Dean Parisot; Written by Jon Hoeber and Erich Hoeber; Based on the comic book by Warren Ellis and Cully Hamner

Starring Bruce Willis, John Malkovich, Helen Mirren, Mary Louise Parker, Anthony Hopkins, Catherine Zeta-Jones

See the trailer here.

I hadn’t read Warren Ellis’ and Cully Hamner’s comic book mini-series prior to seeing Red in 2010.  The film wasn’t on my radar at the time and I rented it because I thought it would be a fun movie.  It ended up as one of my favorite films that year, and Red 2 is one of the films I’m looking forward to the most this summer.  Willis, Malkovich and Helen Mirren played well against each other in the first action comedy, and from the looks of the trailer Red 2 is cranking up the firepower with Catherine Zeta-Jones and Byung-hun Lee.

The Wolverine

Wolverine Movie Poster

Release Date: July 26

Directed by James Mangold; Screenplay by Mark Bomback

Starring Hugh Jackman (Logan/Wolverine), Will Yun Lee (Silver Samurai), Svetlana Khodchenkova (Viper), Hiroyuki Sanada (Shingen Yashida), Tao Okamoto (Mariko Yashida)

See the trailer here.

Wolverine.  Japan.  Silver Samurai.  ‘Nuff said.  Watching the trailer for The Wolverine brought me back to the early 80’s and Marvel Comics’ four-part Wolverine mini-series by Chris Claremont, Frank Miller and Joe Rubinstein and Uncanny X-Men #172 and #173 by Claremont, Paul Smith and Bob Wiacek.  Silver Samurai is one of the more under-utilized villains of the Marvel Universe in my opinion and his appearance vs. Wolverine in Uncanny X-Men 173 (September 1983) is one of my favorite hero/villain match ups of the 80’s.

Kick-Ass 2

Kick-Ass 2 Movie Poster

Release Date: August 16

Written and directed by Jeff Wadlow; Starring Aaron Tayl0r-Johnson, Chloe Grace Moretz, Jonathan Mintz-Plasse, and Jim Carrey

August’s Kick-Ass 2 brings back Mark Millar and John Romita Jr.’s teen heroes.  Like Red, the first Kick-Ass was another unexpected surprise for me when it was released in 2010.  Red Mist (Mintz-Plasse) is back for revenge as The MotherF***er, and Jim Carrey’s Col. Stars and Stripes joins Kick-Ass and Hit Girl in this adrenaline fueled sequel.

This looks like a good summer for comic book films with a good balance between superheroes and action comedy, but it’s only a primer for 2014 and the upcoming releases of The Amazing Spider-Man 2 and X-Men: Days of Future Past.  Luckily the release of Thor: The Dark World on November 8th will hold us over until then.

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What If Daredevil Became an Agent of S.H.I.E.L.D.? (1981)

What If 28 Cover

What If? #28 (August 1981)
Marvel Comics

Marvel Comics’ What If? was a title I enjoyed in the 80’s.  The series, with stories introduced by The Watcher, placed our favorite Marvel characters in one-off stories that diverged from their established continuity to show how their destinies would have been altered as a result of one decision or twist of fate.  The first volume of the series for 47 issues from 1977 to 1984 and began with What If Spider-Man Joined the Fantastic Four? (February 1977)Over the course of the first run the series provided some great stories.  Two of my favorites were What If Wolverine Killed the Hulk? and What If Phoenix Had Not Died?

I reached into the old box o’comics this past weekend and found issue #28: What if Daredevil Became an Agent of S.H.I.E.L.D.? (August 1981).  This issue contained two other stories (one of which was What If Ghost Rider Was Separated from Johnny Blaze?) but the main story was an 11 pager by written by Mike Barr with pencils and inks by the amazing team of Frank Miller and Klaus Janson.

What If 28 Page 1

What If? #28 (August 1981)
Marvel Comics

The story begins with a teenage Matt Murdock saving a blind pedestrian from an out of control truck.  As the truck burns, the driver unloads a canister of radioactive material from the flames to prevent an explosion.  The canister breaks open as it bounces on the pavement.  Matt stares directly at the exposed radioactive material and everything goes black.  But in this story the truck is owned by Stark Industries with Tony Stark (aka Iron Man) following close behind.  Stark takes the injured Matt Murdock to S.H.I.E.L.D.’s Heli-Carrier instead of a local hospital.  But as Stark’s flying car rises above the accident scene, an undercover agent reports the event to the head of Hydra…

What If 28 Page 3

What If? #28 (August 1981)
Marvel Comics

On the Heli-Carrier it’s discovered that Murdock’s exposure to the radioactive material has blinded him permanently.  But his other four senses have heightened, and Col. Nick Fury sees this as an opportunity to train Murdock to be the best agent S.H.I.E.L.D. has ever had.  Back in New York’s Hell’s Kitchen Matt’s father, boxer Battlin’ Jack Murdock, is kidnapped by Hydra.  After a month of training under Fury, Matt is ready to head home.  Fury tries to keep him with S.H.I.E.L.D., but Matt tries to make a break for it when he realizes his father is held captive.

What If 28 Page 6

What If? #28 (August 1981)
Marvel Comics

No spoilers here.  This was a great story (co-plotted by Barr and Miller) that packs a lot into its 11 pages.  When What If #28 hit the stands, Miller and Janson were already two years into their classic run on DaredevilWhat If Daredevil Became an Agent of S.H.I.E.L.D.? could have easily been cranked out as a simple backup story, but Barr’s words and Miller and Janson’s artwork fire on all cylinders.  I think Miller and Janson’s layouts are a great example of the differences between comic book storytelling 30 years ago vs. today.  You could take the word balloons off of each panel and still follow the story by the art alone, unlike a lot of contemporary comic stories that seem to have most of a page consist of “talking head” panels and a limited amount of action.  I prefer the old Marvel Method over full script for this reason.

What If? #28 will be available in What If? Classic: The Complete Collection #3 on Amazon and Comixology 2/11/20.  As an Amazon Associate I earn from qualifying purchases.  Thank you for your support!

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The Captain America Project #15: Allen Bellman

The Captain America Project: 20 artists, 20 drawings of Captain America on one page.

#15: Allen Bellman (Captain America Comics, All Winners Comics, The Human Torch, Marvel Mystery Comics, Sub Mariner Comics, Young Allies Comics)

When I started the Captain America Project in 2010, I never expected to meet or obtain a sketch from a Golden Age comic book artist that actually drew Captain America during World War II.  But last March when I read that Allen Bellman would be attending Mike Carbo’s New York Comic Book Expo, I had to meet him.  Before I could even ask if he was sketching, he saw my Captain America jam page and quickly grabbed a pencil to draw a classic style Cap for me.

Captain America drawn by Allen Bellman

Captain America drawn by Allen Bellman

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Cloak and Dagger #1 (1983)

Cloak and Dagger #1 (October 1983)Cover by Rick Leonardi and Terry Austin

Cloak and Dagger #1 (October 1983)
Cover by Rick Leonardi and Terry Austin

Recently I opened up the old box o’comic books and rediscovered an old favorite of mine from the early 80’s: Cloak and Dagger #1 from the 1983 mini-series written by Bill Mantlo and drawn by Rick Leonardi and Terry Austin.

Cloak and Dagger, introduced in Peter Parker the Spectacular Spider-Man #64 (March 1982), were created by Bill Mantlo and artist Ed Hannigan.  Runaways Tyrone Johnson (Cloak) and Tandy Bowen (Dagger) meet in New York City and are tricked by an offer of shelter from strangers that prey on runaways.  Tyrone and Tandy are forced to take a synthetic version of heroin, and the side effects of the drug provide them with their superpowers: Cloak creates a dimension of darkness in which he can consume people’s energy to feed his “hunger,” Dagger creates and shoots daggers of light that drain the energy of her enemies and are also used to feed Cloak’s constant hunger.

The first  of the four issue Cloak and Dagger mini-series opens with a splash page of the New York Port Authority on the corner of 42nd Street and 8th Avenue.  It’s July 20, 1983 and the neighborhood in the opening pages bears little resemblance to the Hell’s Kitchen/Times Square of today.  Father Francis Xavier Delgado, a priest born and raised in Hell’s Kitchen, walks among the pimps, prostitutes and lowlifes of the neighborhood in an effort to save them.  That night’s attempt proves fruitless and he returns to the Holy Ghost Church on 42nd street.  He kneels at the altar of the empty church  praying for God’s guidance when Cloak and Dagger appear seeking sanctuary.

Several blocks away at the 21st Precinct, Detective Brigid O’Reilly observes a group of “chickenhawks,” lowlifes that victimize newly arrived runaways at the Port Authority, as they shiver in a jail cell.  Doctors and cops have seen others in their condition and chalk it up to bad drugs, but when questioned by O’Reilly, one of the thugs tells her about  the “angel” of light and “devil” of darkness that put them in their condition.  O’Reilly connects their story to reports of vigilantes attacking criminals and drug pushers, then takes to the streets of Hell’s Kitchen.

After a debate with Father Delgado over the ethics of their “mission” to punish the criminals that prey on runaways, Cloak and Dagger attempt to save a pair of brother-sister teen runaways from a group of chickenhawks.  Gunfire leads Detective O’Reilly to their lair, but before she can act, a stray bullet strikes and kills the brother.  Dagger’s light makes quick work of the lowlifes, but O’Reilly refuses to accept their methods.  To her, Cloak and Dagger’s methods make them no better than the criminals.  She attempts to arrest them, but Cloak teleports them back to the Holy Ghost Church.  Later that night, Father Delgado sees Dagger in tears as he takes a phone call from the 21st Precinct requesting last rights for the dead runaway.

It was usually the art that would draw me to a particular comic book, and this was no exception when Cloak and Dagger #1 hit the stands in 1983.  Seeing Terry Austin’s name on the cover was all I needed to plunk my 60 cents on the counter to buy this issue.  His inks were a great match for Rick Leonardi’s pencils, and an original page from this mini-series has always been on my want list.

But it was Bill Mantlo’s writing, particularly his use of 1983 New York City as a backdrop, that got me to buy the subsequent three issues of this mini-series.  Combined with Leonardi’s pencils and Austin’s inks, Cloak and Dagger brought the seediness of early 80’s Hell’s Kitchen to the comic book page.  Looking back, I’m surprised at how much of that atmosphere they were able to include in their stories.  This was a comic book with a significant readership under the age of 18 that showed pimps, hookers and drugs.  These were dark stories for the time, years before “dark and gritty” would become overused in comic book stories.

Cloak and Dagger #1 can be found in Cloak and Dagger: Shadows and Light on Amazon and Comixology, and will be in the Cloak & Dagger Omnibus on Amazon (release date May 26, 2020).  As an Amazon Associate I earn from qualifying purchases.  Thank you for your support!

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