Tag Archives: David Goyer

Thoughts On Zack Snyder’s Man of Steel

With $125 million domestic and $196 million worldwide box office earnings its opening weekend, Zack Snyder’s Man of Steel has set the bar for this summer’s box office.

In an effort to beat the crowds, my faithful sidekick and I bought our tickets for a 9:30 AM screening at New York City’s Ziegfeld Theater in midtown.  I went into the theater feeling equal parts anticipation and trepidation considering my appreciation for Superman: The Movie and my disappointment with Superman Returns seven years ago.

It would be too easy to base my opinion of Man of Steel on how it compared to Richard Donner’s 1978  Superman: The Movie, so I pledged to go into the screening with an open mind and judge Zack Snyder’s film on its own merits.  A year ago, my fear was that Man of Steel would be a slapdash production released by Warner Bros/DC prior to potentially losing their copyright case to the heirs of Superman creators Jerry Siegel and Joe Shuster.  However the positive buzz leading up to June 14th got my hopes up that this wouldn’t be the case.  The trailer was amazing, Zack Snyder and David Goyer are a powerhouse director/writer combination, and the film’s cast was top notch.  At one point in the film, Superman tells Lois Lane the “S” on his chest is actually the Kryptonian symbol for “Hope,” and that is the word that best described what I was feeling as the lights dimmed and the film began.

So, wearing my Siegel and Shuster Society t-shirt and 3D glasses, I sat back and watched 2 hours and 23 minutes of the most anticipated movie of the summer.

Please note: Spoilers below.

The positives:

Man of Steel has the villains and fight scenes Superman fans have been asking for in a film, and the action sequences give the audience a pretty good ride from the opening scene on Krypton to Superman’s final battle with General Zod.

Kevin Costner and Diane Lane were inspired casting as Jonathan and Martha Kent.  Costner’s performance made the film for me, and he truly delivered as the grounding force in Clark’s life.  On that note, I liked how Goyer & Snyder took the time to establish the roots of Clark’s moral compass and his rationale for keeping his powers secret.

Positive portrayal of the U.S. Military.  They mistrust Superman at first, but they are given an opportunity to explain their position, and a mutual respect is established.

But as I left the Ziegfeld after the closing credits, I couldn’t help feeling that there were several missed opportunities in the execution of the story and character development.

My main issues were:

Over use of the flashback sequences of Clark’s early years disrupted the flow of the first act.  I also wasn’t completely sold on Clark Kent as a drifter working odd-jobs in anonymity, which resembled Bruce Banner/The Hulk more than Clark Kent.

Goyer and Snyder’s reliance on Jor-El’s hologram throughout the film.  One of the things I looked forward to the most going into the film was Russell Crowe’s performance as Jor-El, and he owns every scene he’s in.  From the first moment Kal-El is born the audience feels his urgency to protect his child and use him as a savior for the Kryptonian race.  While the hologram was necessary for Clark to learn of his personal history (even with the underwhelming CGI during Jor-El’s monologue), it became overused by the end of the film and provides a too easy solution when Lois Lane is tasked with saving Clark from General Zod going into the third act.

Snyder and Goyer packed a lot into the film’s 2 hours and 23 minutes, and I appreciate the fact that so many characters from the Superman canon are featured in Man of Steel (Lois Lane, Perry White, Jonathan Kent, Martha Kent, Jor-El) and an amazing cast of actors has been assembled to play them (Amy Adams, Laurence Fishburn, Kevin Costner, Diane Lane, Russell Crowe).  But unfortunately David Goyer’s script gives Amy Adams little to work with in the film as Lois Lane and barely scrapes the surface of the character.  Unfortunately, Amy Adams’ Lois doesn’t have the toughness the Lois Lane of the comic books, TV shows and previous films.

Having seen Snyder’s slower paced action sequences in 300 and Watchmen, I went into the film expecting more of the same.  At first I was pleasantly surprised by the faster pace, but there were moments when the fight sequences resembled a video game and by the third act I was begging for Snyder’s slo-mo camera work.

Lois Lane knowing Superman’s alter ego completely takes away one major element of the Superman canon. Sure, there are many people feel that the use of a simple pair of glasses to transform Superman to Clark Kent was dated, simplistic and silly, but at the end of the day half of any good performance as Superman is pretending to be the meek Clark Kent knowing full well you’re the most powerful person on the planet.

Superman killing General Zod with his bare hands, which in my opinion was completely unnecessary and added nothing more than shock value.

The big question for me going into the film was if Henry Cavill could make the role of Clark Kent/Superman his own.  He certainly looks the part in Superman’s iconic blue costume and red cape, but brings little more than brooding and mystery to Clark Kent, save for the end of the film when he dons the “secret identity” glasses on his first day working for the Daily Planet.  Hopefully the sequel will allow him to add another dimension to Clark Kent.

In spite of the issues listed above, it was a good summer movie experience and I’m looking forward to the sequel.  The world definitely needs Superman.

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The Men Who Were Superman (Part II)

In celebration of Superman’s 75th anniversary and the June 14th premiere of Zac Snyder’s Man of Steel, Fante’s Inferno honors the iconic character created by Jerry Siegel and Joe Shuster with a spotlight on The Men Who Were Superman.

Part II: 1978-Present

Christopher Reeve
Superman: The Movie (1978), Superman II (1980), Superman III (1983), Superman IV: The Quest for Peace (1987)

Christopher Reeve Superman

My first screening of Superman: The Movie is a movie moment that has stayed with me throughout my life.  The smallest details are just as vivid today as they were on that December day in 1978: where we sat, the friends we saw sitting in front of us, and the guy sitting in the back row that chuckled at the film’s opening shot of a copy of Action Comics.  John Williams’ powerful score playing over the opening credits set the tone for the film, and when it was over I wanted to stay in my seat and watch it again.  To this day Superman: The Movie is the only film I’ve seen in a theater three times.

Prior to that first screening I had watched George Reeves in reruns of The Adventures of Superman, watched the The SuperFriends on Saturday morning TV, and read the DC Comics drawn by Curt Swan, Jose Luis Garcia-Lopez and Neal Adams.  I had also seen promotional pictures of Christopher Reeve in the costume but very little footage on TV, so I hadn’t yet formed an opinion of his representation of Superman going into Richard Donner’s film that day.  But the moment Christopher Reeve emerged from the Fortress of Solitude to take his first flight, he was Superman.

Reeve brought confidence, strength, and humanity to Superman.  But it’s how he uses that confidence as Superman to add a sense of playfulness to Clark Kent that makes his performance stand out.

Reeve played Superman in four films from 1978 to 1987, but it would be unfair to only associate him with this role.  Several other notable films in Reeve’s career were (the under-rated) Somewhere In Time (1980), the gritty Street Smart (1987) and (the near perfect) The Remains of the Day (1993).  He was a remarkable and respected actor, and I wish we could have seen him in several of the roles that he had turned down (The World According to Garp, Mutiny on the Bounty and Romancing the Stone just to name a few).

Brandon Routh
Superman Returns (2006)

Brandon Routh - Superman Returns

When I first saw Superman Returns, there was a moment or two when I thought they had CGI’d Christopher Reeve into a couple of shots.  Director Bryan Singer’s 2006 reboot had a strong reverence to Richard Donner’s 1978 Superman: The Movie and that included Brandon Routh’s portrayal of Superman/Clark Kent..

Like Donner, Singer wanted to cast an unknown actor to play Superman, and Brandon Routh had big shoes to fill when he took over the role that was associated with the beloved Reeve.  Routh bore a strong resemblance to Reeve especially as Clark Kent, and there are moments in Superman Returns when he was spot on in matching Reeve’s timing and delivery in his portrayal of Clark.

He had built his early career on TV roles in the 90’s and 2000’s before he earned the role of Superman.  Since then he as appeared in the films Zack and Miri Make a Porno, Scott Pilgrim vs. the World, and on the TV series Chuck.  Four years after his role in Superman Returns, Routh portrayed another comic book character in Dylan Dog: Dead of Night (2010) based on the Italian comic book by Tiziano Sclavi.

Henry Cavill
Man of Steel (2013)

Henry Cavill Superman

It seems like Cavill’s face has been plastered on every billboard and train station over the last two weeks (thanks, Gillette).  His work prior to Man of Steel includes the Showtime series The Tudors, Woody Allen’s Whatever Works (2009), and Immortals (2011).  My first impression of Cavill as Superman is a positive one from what I’ve seen in the trailer and the behind the scenes featurette.

A more detailed look at Henry Cavill’s portrayal of Superman will be included in my review of Man of Steel this weekend.

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A look at this summer’s comic book films

Based on the strength of Iron Man 3’s performance last weekend, grossing $170 million domestic and $680 million worldwide, moviegoers and critics that predicted (and in some cases hoped for) the decline of the comic book movie will be disappointed.

For a guy that grew up in an era that didn’t have that many comic book movies released, and with many of those that were released not measuring up to their respective source material, it feels like we’re finally living in a Golden Age of comic book movies and I’m hoping there’s no end in sight.

Sometimes my comic book fandom interfered with my ability to enjoy a comic book film on its own merits.  I used to be a staunch believer that a comic book movie had to be as close to the printed source material as possible, but I’ve had a change of perspective over the last couple of years.  When the first wave of comic book movies was released, my complaints usually began with the changes made to the superhero costumes.  (Wolverine’s yellow costume wasn’t cinematic enough?  Then use the brown costume!)  But over a time, a personal caveat like Captain America’s costume deviating from the classic Joe Simon/Jack Kirby design was overshadowed by my pure enjoyment of a film.  Now I accept the need to balance respect for the source material (particularly the characters and their origins) with the new ideas filmmakers can bring to the franchise.  Rather than seeing the film version as a verbatim representation of the comic book, I now go into each film wanting to see it as a new adventure for the characters.

With the latest influx of comic book related films summer has now become my favorite time of year for moviegoing, and this summer’s lineup of releases has me planning my trips to the multiplex.

Here’s a look at the upcoming comic book films for Summer 2013:

Man of Steel

Man of Steel Movie Poster

Release Date: June 14

Directed by Zac Snyder; Screenplay by David Goyer

Starring Henry Cavill (Superman/Clark Kent), Michael Shannon (General Zod), Amy Adams (Lois Lane), Russell Crowe (Jor-El), Kevin Costner (Jonathan Kent), Diane Lane (Martha Kent)

See the trailer here.

Man of Steel is the summer 2013 film I was looking forward to the most.  Back in ’06 the trailer for Superman Returns, complete with a voice over by Marlon Brando from 1978’s Superman: The Movie, made me think that Bryan Singer had taken the first step in reigniting the Superman franchise.  Unfortunately the trailer was better than the film, which was little more than a re-hashing of Lex Luthor’s scheme from Richard Donner’s Superman.  This time around, everything about the trailer for Man of Steel has me wanting to see this film.  While it is a reboot, it has elements from both Superman: The Movie (the origin story) and Superman II (General Zod).  The tone is a little darker than I expected but the cast, from Russell Crowe as Jor-El, Kevin Costner as Jonathan Kent and Michael Shannon as General Zod, looks fantastic.  Christopher Reeve instinctively comes to mind when I think of the role of Clark Kent/Superman, but I’m looking forward to seeing Henry Cavill’s take on Superman/Clark Kent.

Red 2

Red 2 Movie Poster

Release Date: July 19

Directed by Dean Parisot; Written by Jon Hoeber and Erich Hoeber; Based on the comic book by Warren Ellis and Cully Hamner

Starring Bruce Willis, John Malkovich, Helen Mirren, Mary Louise Parker, Anthony Hopkins, Catherine Zeta-Jones

See the trailer here.

I hadn’t read Warren Ellis’ and Cully Hamner’s comic book mini-series prior to seeing Red in 2010.  The film wasn’t on my radar at the time and I rented it because I thought it would be a fun movie.  It ended up as one of my favorite films that year, and Red 2 is one of the films I’m looking forward to the most this summer.  Willis, Malkovich and Helen Mirren played well against each other in the first action comedy, and from the looks of the trailer Red 2 is cranking up the firepower with Catherine Zeta-Jones and Byung-hun Lee.

The Wolverine

Wolverine Movie Poster

Release Date: July 26

Directed by James Mangold; Screenplay by Mark Bomback

Starring Hugh Jackman (Logan/Wolverine), Will Yun Lee (Silver Samurai), Svetlana Khodchenkova (Viper), Hiroyuki Sanada (Shingen Yashida), Tao Okamoto (Mariko Yashida)

See the trailer here.

Wolverine.  Japan.  Silver Samurai.  ‘Nuff said.  Watching the trailer for The Wolverine brought me back to the early 80’s and Marvel Comics’ four-part Wolverine mini-series by Chris Claremont, Frank Miller and Joe Rubinstein and Uncanny X-Men #172 and #173 by Claremont, Paul Smith and Bob Wiacek.  Silver Samurai is one of the more under-utilized villains of the Marvel Universe in my opinion and his appearance vs. Wolverine in Uncanny X-Men 173 (September 1983) is one of my favorite hero/villain match ups of the 80’s.

Kick-Ass 2

Kick-Ass 2 Movie Poster

Release Date: August 16

Written and directed by Jeff Wadlow; Starring Aaron Tayl0r-Johnson, Chloe Grace Moretz, Jonathan Mintz-Plasse, and Jim Carrey

August’s Kick-Ass 2 brings back Mark Millar and John Romita Jr.’s teen heroes.  Like Red, the first Kick-Ass was another unexpected surprise for me when it was released in 2010.  Red Mist (Mintz-Plasse) is back for revenge as The MotherF***er, and Jim Carrey’s Col. Stars and Stripes joins Kick-Ass and Hit Girl in this adrenaline fueled sequel.

This looks like a good summer for comic book films with a good balance between superheroes and action comedy, but it’s only a primer for 2014 and the upcoming releases of The Amazing Spider-Man 2 and X-Men: Days of Future Past.  Luckily the release of Thor: The Dark World on November 8th will hold us over until then.

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